Saturday, December 5, 2009

[FCP-L] Re: OT: Bob Zelin, The Rock Star

7a. Re: OT: Bob Zelin, The Rock Star
Posted by: "Bob Zelin" maxavid@cfl.rr.com bob_zelin
Date: Fri Dec 4, 2009 8:14 pm ((PST))

how embarassing. It's not true. ( I wish it was !).

Bob Zelin


MAKE it true, Bob, MAKE IT TRUE!

(It's already printed, all you have to do is recant and agree)

Fess up now.


That's how Legends are born.


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Re: [FCP-L] Broadcast Monitor--Flanders and JVC

On Dec 2, 2009, at 2:24 PM, Nigel Ray Williamson wrote:

> What's the best bang for your buck HD/SD switchable
> broadcast monitor capable of 1080 on the market at the moment?

I've used the second generation JVC 24" Verité series monitor, and was
happy with it both as an SD composite, SD-SDI and HD-SDI monitor and
for extending my Mac's desktop from both MacPro and MacBook Pro. List
was around $4K when purchased in Nov. 2008.

It was stolen, and after some research, I replaced it this August with
the Flanders Scientific FSI 2450W, which is around $5K. They've since
added a new LED backlight unit with other features for around $9K

My interest in these monitors was to ensure that what I edited or
color corrected was proper and to ensure that what's become my main
business—film transfer equipment—looked good during demos. I needed SD-
SDI for that, and these monitors fit the bill. Much lighter and space
efficient than a BVM/PVM with SD-SDI, too.

Walter Biscardi in Atlanta raved about them on Creative Cow before
NAB, and has just compared the florescent backlit 2450's he bought
earlier with the new LED backlit 2470W:
http://blogs.creativecow.net/WalterBiscardi/flanders-scientific

The Flanders 2450W has some features not available on the (now third
generation) JVC:
A vectorscope and RGB Parade in addition to waveform monitor. It can
be calibrated with a Flanders probe, and firmware be upgraded by using
a supplied USB to RJ-45 cable and downloads.

I've found all three scopes useful in demoing my film transfer gear,
and I think folks doing color correction would appreciate the Parade
display. The scope trio enables checking levels/chroma without having
to have an HD or SD-SDI capable scope on hand, which can be a plus for
budget-limited situations.

The Flanders has a number of preset buttons on the bottom that you can
use to call up functions or specific custom settings.

I would recommend calibration (and Flanders rents the tool). On my
2450W, bright red appears to fluoresce, particularly if looking at my
desktop or comparing what I see on my Apple 23" Cinema Display.

Compared to the Apple CD, the JVC and the Flanders I've had also seem
to exhibit—can't recall the word just now—but lack of smoothness on
gradients: One sees steps.

Otherwise, I've been otherwise happy with both, and like the
flexibility.

And the Flanders folks (the Desmet family... Dan, Bram and his brother
and others at the Atlanta office) were a pleasure to deal with, and
very helpful in answering questions. Dan's a long-time engineer, used
to work for Barco, set up the TVOne folks and then developed the
Flanders line for his family company.

Dan also happened to be making a trip to Burbank where I needed to
have the monitor delivered before a demo week. They shipped to the
hotel and Dan came by and walked me through the functions and menus.

Hope this is of some help.

Ted

Ted Langdell
flashscan8.us
209 East 12th Street
Marysville, CA 95901
Main: (530) 741-1212
Cell: (530) 301-2931

ted@flashscan8.us

[Non-text portions of this message have been removed]

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Re: [FCP-L] OT: Need some B-Roll? He's got it.....

I have a sudden craving for a cup of coffee and some B-Roll!

On Sat, Dec 5, 2009 at 4:19 PM, tcurren <tcurren@aol.com> wrote:

>
>
> http://www.youtube.com/watch?v=SItFvB0Upb8
>
> [Non-text portions of this message have been removed]
>
>


[Non-text portions of this message have been removed]

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Re: [FCP-L] OT: Need some B-Roll? He's got it.....

"No! That's too specific. That's NOT B-roll"

Mildly entertaining mostly because of the stale acting.

-gl


On Dec 5, 2009, at 3:19 PM, tcurren wrote:

> http://www.youtube.com/watch?v=SItFvB0Upb8
>
>
> [Non-text portions of this message have been removed]
>
>
>
> ------------------------------------
>
> To learn more about the FinalCutPro-L group, please visit
> http://groups.yahoo.com/group/FinalCutPro-LYahoo! Groups Links
>
>
>

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[FCP-L] OT: Need some B-Roll? He's got it.....

http://www.youtube.com/watch?v=SItFvB0Upb8


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[FCP-L] QuickTime, ProRes and Gamma

Some useful articles:

http://blogs.adobe.com/toddkopriva/2009/12/prores-4444-colors-and-gamma-s.html

or

http://tinyurl.com/ygajdy6

and

http://help.adobe.com/en_US/AfterEffects/9.0/WS44E9CED2-117D-4c19-879E-D553BB88B886a.html#WS983B6DF4-0454-47cf-BC92-6F0B21E1F9C8

or

http://tinyurl.com/yakjcoc

- Oliver

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[FCP-L] repost from another list, trailer editor in NYC or remote

From LA Producer's list, don't know anything other than what's posted:

<<
Experienced Trailer editor
Posted by: "todd heyman" toddh@reelherofilms.com   reelherp
Fri Dec 4, 2009 2:10 pm (PST)

Posting for a friend who¹s Documentary is in Sundance 2010 and he¹s looking
for a great trailer editor.

Experienced trailer editors only.
Paid but lowish. Higher depending on the experience of the editor.
Job is NYC but they¹re willing to work online.

Email me directly-

Thanks-

todd heyman
www.toddheymandirector.com <http://www.toddheymandirector.com>>>


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[FCP-L] Repost from other list looking for editor in Hollywood

From LA Producer's list. Don't know anything more than what's posted:


<<
Seeking Skilled Freelance Editor
Posted by: "aaronweber8881" aaron@wanderfilms.com   aaronweber8881
Fri Dec 4, 2009 11:02 am (PST)

Hollywood based production company is seeking a skilled and experienced freelance editor to work out of our offices for an upcoming short form promo. Work is for a major client and final products will be displayed online.

please send links to portfolio and list of credits to: aaron@wanderfilms.com

Thank you.>>


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[FCP-L] Re: HDV - ProRes LT capture via firewire

Nope, can't be done yet, the HDV capture presets are specially coded and Apple haven't expanded those options yet.

The workaround is to use an I/O device and bypass the HDV portion of the capture event ... a Blackmagic Intensity card is a very cheap entry to I/O, if you can afford a little more then the Matrox MXO2 Mini offers greatly expanded I/O at a low budget price.

--- In FinalCutPro-L@yahoogroups.com, RICHARD <rt@...> wrote:
>
> I read this fine tutorial on Moviola on the technique of Capturing HDV Into
> ProRes Via FireWire.
>
> http://moviola.com/hdv_prores
>
> Since you can choose ProRes 422 (LT) as an option in the Log and Transfer
> window, I was wondering if there is a way to capture HDV to ProRes 422 (LT)
> via firewire like in the above mentioned article.
>
> I tried creating a custom capture setting in the AV Settings, but ProRes 422
> (LT) was not available as an option, only ProRes 422 and ProRes 422 (HQ).
>
> I don¹t know why ProRes 422 (LT) is available in the Log and Transfer window
> but not in the AV Settings window. Maybe it will become available in an
> update.
>
> In the meantime, does anyone know a way to get around this? Maybe modifying
> an FCP file somewhere?
>
>
> Thanks,
>
> ======
> Richard
>
>
> [Non-text portions of this message have been removed]
>


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[FCP-L] HDV - ProRes LT capture via firewire

I read this fine tutorial on Moviola on the technique of Capturing HDV Into
ProRes Via FireWire.

http://moviola.com/hdv_prores

Since you can choose ProRes 422 (LT) as an option in the Log and Transfer
window, I was wondering if there is a way to capture HDV to ProRes 422 (LT)
via firewire like in the above mentioned article.

I tried creating a custom capture setting in the AV Settings, but ProRes 422
(LT) was not available as an option, only ProRes 422 and ProRes 422 (HQ).

I don¹t know why ProRes 422 (LT) is available in the Log and Transfer window
but not in the AV Settings window. Maybe it will become available in an
update.

In the meantime, does anyone know a way to get around this? Maybe modifying
an FCP file somewhere?


Thanks,

======
Richard


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