FCP-L: Nov 5, 2009

Thursday, November 5, 2009

Re: [FCP-L] QMaster - The lurking mystery within FCS

I guess maybe the other way to approach the question... in FCS are all
8 cores doing work most of the time?

I was at an editors workshop tonight. Half the group claimed to get
realtime effects & export from the timeline. They claimed all cores
were processing.

The other half insisted QMaster was the only way to get all cores
working on the clip via Compessor.

Dave

Sent from my totally cool iPhone!

On Nov 5, 2009, at 10:53 PM, Rainer Standke <lists@standke.com> wrote:

> Interesting. You can certainly submit it that way, but it inevitably
> fails, at least here. They should document that properly if it's not
> possible to do, or better yet disable it somehow.
>
> Rainer Standke
> XMiL Workflow Tools
> http://www.xmil.biz
>
> On Nov 5, 2009, at 19:34 , Tim McLaughlin wrote:
>
> >
> > Nope. Can't do it.
> >
> > The only way to use a Cluster is with a self-contained file.
> >
> > I hope this changes some day...
> >
> > Tim McLaughlin
> > Avid and Final Cut Pro Editor
> > http://www.mcltim.com
> > Phone (847) 358-0277
> > Cell (847) 370-4379
> >
> >
> >> To: FinalCutPro-L@yahoogroups.com
> >> From: dave@carrollhome.com
> >>
> >> Is it possible to send a clip from the timeline in FC to Compressor
> >> and have it use all (8 in my case) cores?
> >>
> >
> >
> >
> > [Non-text portions of this message have been removed]
> >
> >
> >
> > ------------------------------------
> >
> > To learn more about the FinalCutPro-L group, please visit
> > http://groups.yahoo.com/group/FinalCutPro-LYahoo! Groups Links
> >
> >
> >
>
>

[Non-text portions of this message have been removed]

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Re: [FCP-L] QMaster - The lurking mystery within FCS

Interesting. You can certainly submit it that way, but it inevitably
fails, at least here. They should document that properly if it's not
possible to do, or better yet disable it somehow.

Rainer Standke
XMiL Workflow Tools
http://www.xmil.biz

On Nov 5, 2009, at 19:34 , Tim McLaughlin wrote:

>
> Nope. Can't do it.
>
> The only way to use a Cluster is with a self-contained file.
>
> I hope this changes some day...
>
> Tim McLaughlin
> Avid and Final Cut Pro Editor
> http://www.mcltim.com
> Phone (847) 358-0277
> Cell (847) 370-4379
>
>
>> To: FinalCutPro-L@yahoogroups.com
>> From: dave@carrollhome.com
>>
>> Is it possible to send a clip from the timeline in FC to Compressor
>> and have it use all (8 in my case) cores?
>>
>
>
>
> [Non-text portions of this message have been removed]
>
>
>
> ------------------------------------
>
> To learn more about the FinalCutPro-L group, please visit
> http://groups.yahoo.com/group/FinalCutPro-LYahoo! Groups Links
>
>
>

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[FCP-L] Re: OT: Anybody want ten thousand used IMX tapes?

Ooops. Too late for that... we've degaussed everything back to snow.

mark

--- In FinalCutPro-L@yahoogroups.com, "Andy" <andymees@...> wrote:
>
> Has to be an installation artist in your neck of the woods who would jump at access so so much raw material
>
>
>
>
> --- In FinalCutPro-L@yahoogroups.com, "Mark" <markraudonis@> wrote:
> >
> > That's NOT a typo. Ten Thousand IMX tapes.
> >
> > We've left Standard Def behind, and these tapes are now
> > surplus. I'm guessing no one on this list still uses this
> > format, but if you know of anyone who does, and has any interest
> > at all, please let them know about this.
> >
> > Thanks.
> >
> > Mark Raudonis
> >
>

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RE: [FCP-L] QMaster - The lurking mystery within FCS

Nope. Can't do it.

The only way to use a Cluster is with a self-contained file.

I hope this changes some day...

Tim McLaughlin
Avid and Final Cut Pro Editor
http://www.mcltim.com
Phone (847) 358-0277
Cell (847) 370-4379

> To: FinalCutPro-L@yahoogroups.com
> From: dave@carrollhome.com
>
> Is it possible to send a clip from the timeline in FC to Compressor and have it use all (8 in my case) cores?
>

[Non-text portions of this message have been removed]

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Re: [FCP-L] Re: OT: Anybody want ten thousand used IMX tapes?

Have you checked out schools or churches with a television ministry? Perhaps
there would be some tax benefit by donating to a university, church or
other non-profit.

Kerry
-------------------
Kerry Soloway
http://www.NightingaleEditorial.com
201-247-4110
ksoloway@gmail.com

Watch "Consuelo Mack/WealthTrack" weekly on PBS. Check your local listings.

On Thu, Nov 5, 2009 at 7:36 AM, Andy <andymees@gmail.com> wrote:

>
>
> Has to be an installation artist in your neck of the woods who would jump
> at access so so much raw material
>
>
> --- In FinalCutPro-L@yahoogroups.com <FinalCutPro-L%40yahoogroups.com>,
> "Mark" <markraudonis@...> wrote:
> >
> > That's NOT a typo. Ten Thousand IMX tapes.
> >
> > We've left Standard Def behind, and these tapes are now
> > surplus. I'm guessing no one on this list still uses this
> > format, but if you know of anyone who does, and has any interest
> > at all, please let them know about this.
> >
> > Thanks.
> >
> > Mark Raudonis
> >
>
>
>

[Non-text portions of this message have been removed]

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[FCP-L] QMaster - The lurking mystery within FCS

OK, I now know what QMaster does and how AWESOME it is. I'm now exporting and converting in better than real-time speed.

My question...

Is it possible to send a clip from the timeline in FC to Compressor and have it use all (8 in my case) cores?

I have followed some threads that discuss this topic and find that many, like me, are having a problem doing this.

If I try to do it as described above each core will encounter a problem and the conversion will stop.

BUT, I have found a work around. From FC export QT, then take that file directly into Compressor, outside of FC. Works great. But... I would prefer to do it the first way (above.)

How are others doing it?

Thanks for the thoughts!

Dave

[Non-text portions of this message have been removed]

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Re: [FCP-L] Cannot "Media Manage" a subclip?

Just wondering what Optical Flow Work is? Is that a program or a process. Not a term I remember. Just curious.

--- In FinalCutPro-L@yahoogroups.com, Nick Meyers <NickM@...> wrote:
>
>
> i do this if i need to create a trimmed, stand-alone version for
> optical flow work.
>
>\
>

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Re: [FCP-L] Cannot "Media Manage" a subclip?

ok, found some media on a rugged drive.

nice long 90 min clip.
ProRes PAL (720x576 25fps)

made a 5 second SUB-clip,

and it Media Manages (COPY, delete unused) just fine in FCP 6.06

are you sure you un-tick every thing in the Media Manager that says
"Include"?

does it indicate it will trim the clip (in the two green bars at the
top) and then NOT trim it?

nick

On 06/11/2009, at 1:01 AM, Tod Hopkins wrote:

> I've used trick 2 with subclips, separating alternating clips into two
> bins, but this apparently does not work if you only have one subclip
> from a media file. If you only have one subclip from a masterclip, it
> won't even make a "copy" of the media much less discard the media you
> don't want. Have not tested "move" because, frankly, I don't care.
> I hate "move" in MM unless I have no other choice. I copy and then
> delete.
>
> Tod
>
> On Oct 31, 2009, at 12:58 AM, Nick Meyers wrote:
>
> > there are few tricks to Media Manage contiguous sub clips.
> >
> > 1. make them dis-contiguous.
> > in my (PAL) experience, this means removing TWO frames from between
> > the clips.
> > you will get one back on the M'd file, but the gap in FCP has to be
> > two frames.
> >
> > 2. Checkerboard the clips in a timeline, and do two passes of Media
> > Management
> >
> > 3. Don't Media Manage at all, use the BATCH EXPORT.
> > you will lose logging notes and markers, if any.
> >
> > nick
> >
> > On 31/10/2009, at 6:54 AM, Tod Hopkins wrote:
> >
> > > Yes, there is a reel name, but that's really useful to know,
> thanks.
> > >
> > > This is not a new frustration. I've tried this before with other
> > > material and eventually just given. In fact, I've carefully
> followed
> > > Apple's step by step instructions for breaking down long clips by
> > > subclipping (in the manual) and discovered that unless there is a
> > > solid gap of unused media between two subclips, Media Manager will
> > not
> > > throw anything away.
> > >
> > > But know that I think of that, I was able to make that work before
> > > with some kind of trick. Hmmm? Maybe I need to go find those old
> > > notes.
> > >
> > > Cheers,
> > > tod
> > >
> > > On Oct 30, 2009, at 3:46 PM, Shane Ross wrote:
> > >
> > > > Does this said clip have a REEL name associated with it? MM
> > doesn't
> > > > do squat unless there is a reel name.
> > > >
> > > > -shane.
> > > >
> > > >
> > > >
> > >
> > > Tod Hopkins
> > > Hillmann & Carr Inc.
> > > todhopkins@hillmanncarr.com
> > >
> > > [Non-text portions of this message have been removed]
> > >
> > >
> > >
> >
> > [Non-text portions of this message have been removed]
> >
> >
> >
>
> Tod Hopkins
> Hillmann & Carr Inc.
> todhopkins@hillmanncarr.com
>
> [Non-text portions of this message have been removed]
>
>
>

[Non-text portions of this message have been removed]

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Re: [FCP-L] Cannot "Media Manage" a subclip?

i would love to have a closer look at this,
but am on the road right now.

i have often used Media Manager to successfully trim a single CLIP.
(not subclip)
generally from the timeline.
i do this if i need to create a trimmed, stand-alone version for
optical flow work.

if it really is just one sublcip,
open it in the viewer,
and Export.

nick

On 06/11/2009, at 1:01 AM, Tod Hopkins wrote:

[Non-text portions of this message have been removed]

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[FCP-L] HD Expo... err, I mean Createasphere

Just got back from this and nothing really new to report other than a revised model of the EX-1.

Re: [FCP-L] slightly OT: PS CS2 RAW conversion

On CS3 it is under File, Automate, Batch. You might have to make an
action for the Play menu, or there might be a save as JPEG actin
already.

Andy Edwards

On Nov 5, 2009, at 4:12 PM, Andy Edwards wrote:

> Not at my machine right now, but look for the Batch selection. I
> think it is under the file menu. Point it to your raw folder, choose
> an export to folder and select save as Jpeg. Hopefully that will get
> you started or someone else will chime in with the "exact menu"
> choices.
>
> Andy Edwards
>
> On Nov 5, 2009, at 3:49 PM, scott petersen wrote:
>
> > A co-worker has 200 or so stills that need to be converted from RAW
> > to jpeg.
> > I'm sure there's an automated way to convert them without opening
> > them all
> > up and doing a save as, but I don't know it. Can someone enlighten
> me?
> >
> > Scott
> >
>
> [Non-text portions of this message have been removed]
>
>
>

[Non-text portions of this message have been removed]

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Re: [FCP-L] slightly OT: PS CS2 RAW conversion

Most still camera's come with free software to convert the RAW images
to jpeg. Usually it's named batch converting or something like that.
What kind of camera? Canon, Nikon, ?

If you do it in Photoshop, you can automate a task.

At 5-11-2009 23:49, scott petersen wrote:
>
>
>A co-worker has 200 or so stills that need to be converted from RAW to jpeg.
>I'm sure there's an automated way to convert them without opening them all
>up and doing a save as, but I don't know it. Can someone enlighten me?
>
>Scott

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Re: [FCP-L] slightly OT: PS CS2 RAW conversion

Not at my machine right now, but look for the Batch selection. I
think it is under the file menu. Point it to your raw folder, choose
an export to folder and select save as Jpeg. Hopefully that will get
you started or someone else will chime in with the "exact menu" choices.

Andy Edwards

On Nov 5, 2009, at 3:49 PM, scott petersen wrote:

> A co-worker has 200 or so stills that need to be converted from RAW
> to jpeg.
> I'm sure there's an automated way to convert them without opening
> them all
> up and doing a save as, but I don't know it. Can someone enlighten me?
>
> Scott
>

[Non-text portions of this message have been removed]

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[FCP-L] slightly OT: PS CS2 RAW conversion

A co-worker has 200 or so stills that need to be converted from RAW to jpeg.
I'm sure there's an automated way to convert them without opening them all
up and doing a save as, but I don't know it. Can someone enlighten me?

Scott

[Non-text portions of this message have been removed]

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Re: [FCP-L] Cannot "Media Manage" a subclip?

I've used trick 2 with subclips, separating alternating clips into two
bins, but this apparently does not work if you only have one subclip
from a media file. If you only have one subclip from a masterclip, it
won't even make a "copy" of the media much less discard the media you
don't want. Have not tested "move" because, frankly, I don't care.
I hate "move" in MM unless I have no other choice. I copy and then
delete.

Tod

On Oct 31, 2009, at 12:58 AM, Nick Meyers wrote:

> there are few tricks to Media Manage contiguous sub clips.
>
> 1. make them dis-contiguous.
> in my (PAL) experience, this means removing TWO frames from between
> the clips.
> you will get one back on the M'd file, but the gap in FCP has to be
> two frames.
>
> 2. Checkerboard the clips in a timeline, and do two passes of Media
> Management
>
> 3. Don't Media Manage at all, use the BATCH EXPORT.
> you will lose logging notes and markers, if any.
>
> nick
>
> On 31/10/2009, at 6:54 AM, Tod Hopkins wrote:
>
> > Yes, there is a reel name, but that's really useful to know, thanks.
> >
> > This is not a new frustration. I've tried this before with other
> > material and eventually just given. In fact, I've carefully followed
> > Apple's step by step instructions for breaking down long clips by
> > subclipping (in the manual) and discovered that unless there is a
> > solid gap of unused media between two subclips, Media Manager will
> not
> > throw anything away.
> >
> > But know that I think of that, I was able to make that work before
> > with some kind of trick. Hmmm? Maybe I need to go find those old
> > notes.
> >
> > Cheers,
> > tod
> >
> > On Oct 30, 2009, at 3:46 PM, Shane Ross wrote:
> >
> > > Does this said clip have a REEL name associated with it? MM
> doesn't
> > > do squat unless there is a reel name.
> > >
> > > -shane.
> > >
> > >
> > >
> >
> > Tod Hopkins
> > Hillmann & Carr Inc.
> > todhopkins@hillmanncarr.com
> >
> > [Non-text portions of this message have been removed]
> >
> >
> >
>
> [Non-text portions of this message have been removed]
>
>
>

Tod Hopkins
Hillmann & Carr Inc.
todhopkins@hillmanncarr.com

[Non-text portions of this message have been removed]

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[FCP-L] Re: OT: Anybody want ten thousand used IMX tapes?

Has to be an installation artist in your neck of the woods who would jump at access so so much raw material

--- In FinalCutPro-L@yahoogroups.com, "Mark" <markraudonis@...> wrote:
>
> That's NOT a typo. Ten Thousand IMX tapes.
>
> We've left Standard Def behind, and these tapes are now
> surplus. I'm guessing no one on this list still uses this
> format, but if you know of anyone who does, and has any interest
> at all, please let them know about this.
>
> Thanks.
>
> Mark Raudonis
>

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Re: [FCP-L] Re: VITC Sucks

well,
Sony protocol gives you the option to ask the deck for specific TC.
From memory, that can be LTC, VITC, corrected TC, CTL and perhaps some other
stuff.
I don't think it would be a good idea to spit out something else than the
controller is asking for.

Bouke

VideoToolShed
van Oldenbarneveltstraat 33
6512 AS NIJMEGEN
The Netherlands
+31 24 3553311
www.videotoolshed.com
For large files:
http://dropbox.yousendit.com/BoukeVahl998172
----- Original Message -----
From: "haventwoncrap" <cutandcover@gmail.com>
To: <FinalCutPro-L@yahoogroups.com>
Sent: Thursday, November 05, 2009 1:41 AM
Subject: [FCP-L] Re: VITC Sucks

I would think that switching the TC reader to LTC instead of Auto (on the
deck) would spit out the LTC value over 422. It works like that at least
when I'm doing VTR to VTR editing with the 5500. I only have FCP and in the
device control settings I can choose between LTC, VITC, and LTC+VITC. I
switch this to LTC and it ignores the VITC. Can't say for sure about Avid
device controls but I'd be surprised if that weren't an option in there
somewhere...

--- In FinalCutPro-L@yahoogroups.com, "johnrobmoore" <bigfish@...> wrote:
>
> The only time VITC suck is when it doesn't match the LTC on your record
> tape. As far as I know the problem still exists when controlling an
> SR-5500 with RS-422 and the ltc and vitc don't match there is no way with
> Avid control to force the record machine to read ltc only down the RS-422.
> This makes it impossible to make edits. Digibeta decks would follow the
> switch setting ltc, vitc or auto. For $100,000 plus why should the
> SR-5500 have this functionality or is it the Avid protocol? Can't
> remember if the same problem exists with FCP control. Anybody know?
>
> --- In FinalCutPro-L@yahoogroups.com, "Bob Zelin" <maxavid@> wrote:
> >
> > everything sucks if you don't know the switches and settings on your VTR
> > or editing system. This is why AVID Editors say FCP sucks, and this is
> > why
> > FCP editors say Premier sucks. Anything you don't know sucks. (eeeh -
> > give me my 1" VTR and my CMX edit controller - I will show you what
> > editing really is !).
> >
> > Bob zelin
> >
> > ----- Original Message -----
> > From: Phil Mastman
> > To: FCP-L
> > Sent: Wednesday, November 04, 2009 4:34 PM
> > Subject: Re: [FCP-L] VITC Sucks
> >
> >
> >
> > Both VITC and LTC suck equally when they do not match on a tape.
> >
> > --Phil Mastman
> > Sandlot Pictures, Inc.
> >
> > http://www.sandlotpictures.com/phil.html
> >
> > > No, it does not.
> > >
> > > Bouke (Who remembers the days that you could offline maintaining
> > original
> > > VITC and generate an EDL from the offline tape)
> > >
> > > VideoToolShed
> > > van Oldenbarneveltstraat 33
> > > 6512 AS NIJMEGEN
> > > The Netherlands
> > > +31 24 3553311
> > > www.videotoolshed.com
> > > For large files:
> > > http://dropbox.yousendit.com/BoukeVahl998172
> > > ----- Original Message -----
> > > From: "John Kilgour" <john@>
> > > To: <FinalCutPro-L@yahoogroups.com>
> > > Sent: Wednesday, November 04, 2009 4:42 PM
> > > Subject: [FCP-L] VITC Sucks
> > >
> > >
> > >> VITC sucks
> > >>
> > >
> > >
> >
> >
> >
> >
> >
> > [Non-text portions of this message have been removed]
> >
>

------------------------------------

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Re: [FCP-L] QMaster - The lurking mystery within FCS

Re: [FCP-L] QMaster - The lurking mystery within FCS

[FCP-L] Re: OT: Anybody want ten thousand used IMX tapes?

RE: [FCP-L] QMaster - The lurking mystery within FCS

Re: [FCP-L] Re: OT: Anybody want ten thousand used IMX tapes?

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Re: [FCP-L] Cannot "Media Manage" a subclip?

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Re: [FCP-L] slightly OT: PS CS2 RAW conversion

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Re: [FCP-L] Cannot "Media Manage" a subclip?

[FCP-L] Re: OT: Anybody want ten thousand used IMX tapes?

Re: [FCP-L] Re: VITC Sucks

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