[FCP-L] Re: Kona LHI question

I've definitely seen this on Kona 2's and other LH cards. Sometimes it requires pulling the power cord after shut down to drain the power off the the PCI buss. Something gets reset, very annoying. I don't know if this ever was improved over the last couple years.

--- In FinalCutPro-L@yahoogroups.com, Kerry Soloway <ksoloway@...> wrote:
>
> I'm working on an FCP system (2.66 GHz Quad-Core Xeon, 3 GB RAM, OS X
> 10.5.6) that has had a strange quirk the last couple of days.
>
> Whenever I first boot up the system no audio comes out of the Kona LHI card.
> Upon completely shutting down the system and re-booting, it will come back
> up. Has anybody else seen this happen?
>
> I am working in SD, BetaSP acquisition and layoff, capturing at ProRes HQ.
>
> I have been using Preference Manager but I don't think that the preferences
> have been the problem as simply re-setting the preferences doesn't seem to
> have solved the problem before re-booting.
>
> Thanks,
> Kerry
> -------------------
> Kerry Soloway
> http://www.NightingaleEditorial.com
> 201-247-4110
> ksoloway@...
>
> Watch "Consuelo Mack/WealthTrack" weekly on PBS. Check your local listings.
>
>
> [Non-text portions of this message have been removed]
>

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Re: [FCP-L] ProRes level change when playing vs stopped...

I think some video cards can do this - different buffer for a stopped frame?

R
____________________
Ricardo Ismach
Casual Dog Productions, LLC
Portland, OR
Atlanta, GA
http://www.casualdog.org
bad-dog@casualdog.org

On Nov 11, 2009, at 10:43 AM, Kerry Soloway wrote:

> I have seen that happen with certain codecs, although I don't have enough
> experience with ProRes to say whether I've seen it with that.
>
> Does this happen in the Canvas and/or Viewer? What are your playback
> setting? What happens after you render?
>
> Kerry
> -------------------
> Kerry Soloway
> http://www.NightingaleEditorial.com
> 201-247-4110
> ksoloway@gmail.com
>
> Watch "Consuelo Mack/WealthTrack" weekly on PBS. Check your local listings.
>
>
> On Wed, Nov 11, 2009 at 1:28 PM, jmcbrg <urspam666@yahoo.com> wrote:
>
>>
>>
>> I'm not sure what I'm doing wrong, but when I capture at any of the ProRes
>> settings, (proxy, LT, or 422) there is a level change between the footage
>> parked and when it is playing. I thought it was the Gamma correction
>> Auto/none setting, but that doesn't make any difference. I'm capturing from
>> a Panasonic HD1400 via firewire. When I capture at DVCPro HD there is no
>> shift. Thanks in advance for any help.
>> jeff c.
>>
>>
>>
>
>
> [Non-text portions of this message have been removed]
>
>
>
> ------------------------------------
>
> To learn more about the FinalCutPro-L group, please visit
> http://groups.yahoo.com/group/FinalCutPro-LYahoo! Groups Links
>
>
>

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Re: [FCP-L] ProRes level change when playing vs stopped...

I have seen that happen with certain codecs, although I don't have enough
experience with ProRes to say whether I've seen it with that.

Does this happen in the Canvas and/or Viewer? What are your playback
setting? What happens after you render?

Kerry
-------------------
Kerry Soloway
http://www.NightingaleEditorial.com
201-247-4110
ksoloway@gmail.com

Watch "Consuelo Mack/WealthTrack" weekly on PBS. Check your local listings.

On Wed, Nov 11, 2009 at 1:28 PM, jmcbrg <urspam666@yahoo.com> wrote:

>
>
> I'm not sure what I'm doing wrong, but when I capture at any of the ProRes
> settings, (proxy, LT, or 422) there is a level change between the footage
> parked and when it is playing. I thought it was the Gamma correction
> Auto/none setting, but that doesn't make any difference. I'm capturing from
> a Panasonic HD1400 via firewire. When I capture at DVCPro HD there is no
> shift. Thanks in advance for any help.
> jeff c.
>
>
>

[Non-text portions of this message have been removed]

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[FCP-L] ProRes level change when playing vs stopped...

I'm not sure what I'm doing wrong, but when I capture at any of the ProRes settings, (proxy, LT, or 422) there is a level change between the footage parked and when it is playing. I thought it was the Gamma correction Auto/none setting, but that doesn't make any difference. I'm capturing from a Panasonic HD1400 via firewire. When I capture at DVCPro HD there is no shift. Thanks in advance for any help.
jeff c.

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Re: [FCP-L] Kona LHI question

No details just now, but yes that's happened repeatedly on two
different systems at two different clients. You're not alone, but no
help from here yet.

--
Jeff Cook
jeff@cookstudios.com
CookStudios.com
703-980-1104 (cell)

On Nov 11, 2009, at 12:07 PM, Kerry Soloway <ksoloway@gmail.com> wrote:
>
> Whenever I first boot up the system no audio comes out of the Kona
> LHI card.
> Upon completely shutting down the system and re-booting, it will
> come back
> up. Has anybody else seen this happen?
>

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RE: [FCP-L] Re: A Request

Ok, I'm totally impressed. We write iPhone Software for the Mac and we are missing that demographic. Any requests for iPhone Apps?

Thanks,

Wyler Furgeson
Charismac Engineering, Inc

________________________________
From: FinalCutPro-L@yahoogroups.com [mailto:FinalCutPro-L@yahoogroups.com] On Behalf Of Timothy Duncan
Sent: Wednesday, November 11, 2009 9:14 AM
To: FinalCutPro-L@yahoogroups.com
Subject: Re: [FCP-L] Re: A Request

We all got company iPhones a couple of years ago for Christmas and my
daughter (then 2) took mine over. I ended up with all these videos and
games for her and very little space for my stuff. (My first iPhone was only
8Gig). Within a week she was running it completely. This video is only
after I had the phone 2 weeks: http://www.youtube.com/watch?v=iJwFR7RJCME
So when I was around, she always wanted my iPhone. She had mastered my
previous phone, a Treo, and could use the stylus and navigate it completely
as well. She loved the drawing program on it.
So for Christmas last year I got her an iPod Touch, the older one without a
camera. She didn't like it without speakers or camera, so I traded it via
Craigslist for a 2st Gen iPhone for her. Now she has her own stuff on her
own phone and I got my phone back. :) (No Simm card so she can't actually
call except via Skype). :0 It is jailbroken so she can record video, too.
I just love looking at the pictures she takes. She's become quite good at
it.

My philosphy has always been to let my kids have and handle any of my
electronics so long as they are gentle. Nothing has ever been broken.
Emily, has had her own Mac and PC to play with since she was 18 months old.
If you work with kids, they are like little sponges and they LOVE gadgets.
Here's a website that basically trained her to use the mouse and wacom
tablet: http://jacksonpollock.org/ We also have the iPhone app for it.
If you have young kids, then you should check it out.

Cheers,
Timothy

On Wed, Nov 11, 2009 at 10:03 AM, Wyler Furgeson <WylerF@charismac.com<mailto:WylerF%40charismac.com>>wrote:

>
>
> Your 4yr old daughter has an iPhone?
>

[Non-text portions of this message have been removed]

No virus found in this incoming message.
Checked by AVG - www.avg.com
Version: 8.5.425 / Virus Database: 270.14.52/2484 - Release Date: 11/10/09 19:56:00

[Non-text portions of this message have been removed]

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Re: [FCP-L] Re: A Request

We all got company iPhones a couple of years ago for Christmas and my
daughter (then 2) took mine over. I ended up with all these videos and
games for her and very little space for my stuff. (My first iPhone was only
8Gig). Within a week she was running it completely. This video is only
after I had the phone 2 weeks: http://www.youtube.com/watch?v=iJwFR7RJCME
So when I was around, she always wanted my iPhone. She had mastered my
previous phone, a Treo, and could use the stylus and navigate it completely
as well. She loved the drawing program on it.
So for Christmas last year I got her an iPod Touch, the older one without a
camera. She didn't like it without speakers or camera, so I traded it via
Craigslist for a 2st Gen iPhone for her. Now she has her own stuff on her
own phone and I got my phone back. :) (No Simm card so she can't actually
call except via Skype). :0 It is jailbroken so she can record video, too.
I just love looking at the pictures she takes. She's become quite good at
it.

My philosphy has always been to let my kids have and handle any of my
electronics so long as they are gentle. Nothing has ever been broken.
Emily, has had her own Mac and PC to play with since she was 18 months old.
If you work with kids, they are like little sponges and they LOVE gadgets.
Here's a website that basically trained her to use the mouse and wacom
tablet: http://jacksonpollock.org/ We also have the iPhone app for it.
If you have young kids, then you should check it out.

Cheers,
Timothy

On Wed, Nov 11, 2009 at 10:03 AM, Wyler Furgeson <WylerF@charismac.com>wrote:

>
>
> Your 4yr old daughter has an iPhone?
>

[Non-text portions of this message have been removed]

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[FCP-L] Kona LHI question

I'm working on an FCP system (2.66 GHz Quad-Core Xeon, 3 GB RAM, OS X
10.5.6) that has had a strange quirk the last couple of days.

Whenever I first boot up the system no audio comes out of the Kona LHI card.
Upon completely shutting down the system and re-booting, it will come back
up. Has anybody else seen this happen?

I am working in SD, BetaSP acquisition and layoff, capturing at ProRes HQ.

I have been using Preference Manager but I don't think that the preferences
have been the problem as simply re-setting the preferences doesn't seem to
have solved the problem before re-booting.

Thanks,
Kerry
-------------------
Kerry Soloway
http://www.NightingaleEditorial.com
201-247-4110
ksoloway@gmail.com

Watch "Consuelo Mack/WealthTrack" weekly on PBS. Check your local listings.

[Non-text portions of this message have been removed]

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Re: [FCP-L] Remove Attributes - possibly dumb Q

Thanks - that does it, too.

On 11 Nov 2009, at 17:17, David Ross wrote:

Hi Roger,
If you select the audio tab in the viewer ("stereoa1a2" or whatever's
applicable), then press the little red 'X' just above the waveforms,
that
should reset all your levels and panning.
You can do the same thing on all the different adjustments available
on the
motion tab too...

David

+++
With best wishes,

Roger Shufflebottom

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Re: [FCP-L] Remove Attributes - possibly dumb Q

Unfortunately Modify>Levels doesn't work for a clip or clips selected in the browser, only on clips in the timeline or a clip opened into the viewer.

All the best,

Tom

On Nov 11, 2009, at 11:14 AM, Roger Shufflebottom wrote:

> OK - I sussed it: Modify>Levels>Absolute (or is there a different way?).
>
> On 11 Nov 2009, at 17:06, Roger Shufflebottom wrote:
>
> OK, I've read the FM and trawled the interthingy etc. How can I remove
> attributes from a master clip in the viewer (in this case audio
> keyframes)? I can do it for a clip in the Timeline, but not a clip in
> the Viewer or Browser. This clip was modified before adding to a
> sequence. FCP7. TIA
>
> +++
> With best wishes,
>
> Roger Shufflebottom
>
>
>
>
>
> ------------------------------------
>
> To learn more about the FinalCutPro-L group, please visit
> http://groups.yahoo.com/group/FinalCutPro-LYahoo! Groups Links
>
>
>

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Re: [FCP-L] Remove Attributes - possibly dumb Q

You can do it for individual clips in the viewer by resetting the audio in the stereo or mono tabs. I suppose this could be automated somehow using XML by cleverer people than I.

All the best,

Tom

On Nov 11, 2009, at 11:06 AM, Roger Shufflebottom wrote:

> OK, I've read the FM and trawled the interthingy etc. How can I remove
> attributes from a master clip in the viewer (in this case audio
> keyframes)? I can do it for a clip in the Timeline, but not a clip in
> the Viewer or Browser. This clip was modified before adding to a
> sequence. FCP7. TIA
>
> +++
> With best wishes,
>
> Roger Shufflebottom
>
>
>
>
>
> ------------------------------------
>
> To learn more about the FinalCutPro-L group, please visit
> http://groups.yahoo.com/group/FinalCutPro-LYahoo! Groups Links
>
>
>

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Re: [FCP-L] Remove Attributes - possibly dumb Q

Put the clip in the viewer, go to the audio tab, hit the red "X" and
it should reset the audio back to normal levels and remove all Key
frames. There is probably a short cut in the keyboard layout, but have
not used it before.

Andy Edwards

On Nov 11, 2009, at 9:06 AM, Roger Shufflebottom wrote:

> OK, I've read the FM and trawled the interthingy etc. How can I remove
> attributes from a master clip in the viewer (in this case audio
> keyframes)? I can do it for a clip in the Timeline, but not a clip in
> the Viewer or Browser. This clip was modified before adding to a
> sequence. FCP7. TIA
>
> +++
> With best wishes,
>
> Roger Shufflebottom
>
>
>

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Re: [FCP-L] Remove Attributes - possibly dumb Q

Hi Roger,
If you select the audio tab in the viewer ("stereoa1a2" or whatever's
applicable), then press the little red 'X' just above the waveforms, that
should reset all your levels and panning.
You can do the same thing on all the different adjustments available on the
motion tab too...

David

2009/11/11 Roger Shufflebottom <rshuff@tiscali.co.uk>

>
>
> OK, I've read the FM and trawled the interthingy etc. How can I remove
> attributes from a master clip in the viewer (in this case audio
> keyframes)? I can do it for a clip in the Timeline, but not a clip in
> the Viewer or Browser. This clip was modified before adding to a
> sequence. FCP7. TIA
>
> +++
> With best wishes,
>
> Roger Shufflebottom
>
> _
>

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Re: [FCP-L] Remove Attributes - possibly dumb Q

OK - I sussed it: Modify>Levels>Absolute (or is there a different way?).

On 11 Nov 2009, at 17:06, Roger Shufflebottom wrote:

OK, I've read the FM and trawled the interthingy etc. How can I remove
attributes from a master clip in the viewer (in this case audio
keyframes)? I can do it for a clip in the Timeline, but not a clip in
the Viewer or Browser. This clip was modified before adding to a
sequence. FCP7. TIA

+++
With best wishes,

Roger Shufflebottom

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Re: [FCP-L] Semi OT: Booking a DI

On 11/10/09 9:50 PM, "Multimediac" <mr_ree_mann@yahoo.com> wrote:

> Inspired by? It used the same plates and models.
>
> Pretty nerdy.

Make your own. Go here:

http://www.xtranormal.com/makemovies/

I'm going to use Xtranormal to previz the 3D film I'm making with those two
iPod Nanos that I taped together. Then I'll get someone to edit it for free
through an advert on craigslist. Good thing they have a "gigs" category now.
That $75 fee for posting a "help wanted" advert would ruin our budget.

Jim
PS- Anyone know Spielberg's home phone number? I'm sure he'll want to EP
this.

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[FCP-L] Remove Attributes - possibly dumb Q

OK, I've read the FM and trawled the interthingy etc. How can I remove
attributes from a master clip in the viewer (in this case audio
keyframes)? I can do it for a clip in the Timeline, but not a clip in
the Viewer or Browser. This clip was modified before adding to a
sequence. FCP7. TIA

+++
With best wishes,

Roger Shufflebottom

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RE: [FCP-L] Re: A Request

Your 4yr old daughter has an iPhone?

________________________________
From: FinalCutPro-L@yahoogroups.com [mailto:FinalCutPro-L@yahoogroups.com] On Behalf Of Timothy Duncan
Sent: Wednesday, November 11, 2009 7:00 AM
To: FinalCutPro-L@yahoogroups.com
Subject: Re: [FCP-L] Re: A Request

Yes -- The Doorpost is funded by the founder, Jason Atkins. It is his dream
and goal to help develop film makers who can make a difference in our
industry by making films that not only entertain, but provoke thought and
that can motivate positively. (think "Bucket List"). I had the privilege
to work on the film in 2008 that took 2nd place ("Alius Primoris") and got
to know the staff and experience the process. The Doorpost is truly an
amazing organization. They give such a HUGE level of support to the film
makers. This past year, I was an "advisor" on RED post production with them.
I had the wonderful opportunity to meet all the film makers and be a
resource to help in post. They provide mentors who are industry specialists
in every area to assist the film makers, from script writing all the way
through post. Their mission statement is "Seek/Honor/Serve/Build/Share"
http://www.thedoorpost.com/info/mission/

We are working with the very talented director, Josh Weigel, from the
Butterfly Circus, to do a revised version and will be re-color timing and
doing some additional FX shots. Audio is being sweetened as well. (The mix
was the weakest thing about the film). I've never seen a short film that
has had such a positive effect on me personally. My kids and family love
this film. Even my 4 year old daughter says regularly and with an accent,
"What this world needs is a little wonder!" :) (She has it on her iPhone).
I think I've watched it thirty times at least.

Have you seen what they (Doorpost) are doing for 2010? They will narrow it
down to 5 finalists which will each get a budget of $40,000 to make their
final films. What other film competition does that? Plus they fly the film
makers all expenses paid to the Red Carpet event and awards ceremony. Not
to mention the huge prize money.

This year our shop did the FX and compositing on "La Premiere" which won 2nd
place. It is an incredible film as well and was narrated by James Earl
Jones.

If you haven't had a chance check out www.thedoorpost.com and browse the
final films form the last couple of years. You will be inspired on so many
levels, from both the technical and the awe of skill and creativity.

Cheers,
Timothy Duncan

On Sun, Nov 8, 2009 at 5:16 PM, Ben Wharton <b.wharton@dsl.pipex.com<mailto:b.wharton%40dsl.pipex.com>> wrote:

>
>
> A bit OT, but after checking out The Door Post Film Project, I'm very
> intrigued as to where their funding comes from. The standard PR fluff is
> very. fluffy.
>
> Does anyone know any more?
>
> Ben
>
> Ben Wharton
>

[Non-text portions of this message have been removed]

No virus found in this incoming message.
Checked by AVG - www.avg.com
Version: 8.5.425 / Virus Database: 270.14.52/2484 - Release Date: 11/10/09 19:56:00

[Non-text portions of this message have been removed]

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Re: [FCP-L] Re: A Request

Yes -- The Doorpost is funded by the founder, Jason Atkins. It is his dream
and goal to help develop film makers who can make a difference in our
industry by making films that not only entertain, but provoke thought and
that can motivate positively. (think "Bucket List"). I had the privilege
to work on the film in 2008 that took 2nd place ("Alius Primoris") and got
to know the staff and experience the process. The Doorpost is truly an
amazing organization. They give such a HUGE level of support to the film
makers. This past year, I was an "advisor" on RED post production with them.
I had the wonderful opportunity to meet all the film makers and be a
resource to help in post. They provide mentors who are industry specialists
in every area to assist the film makers, from script writing all the way
through post. Their mission statement is "Seek/Honor/Serve/Build/Share"
http://www.thedoorpost.com/info/mission/

We are working with the very talented director, Josh Weigel, from the
Butterfly Circus, to do a revised version and will be re-color timing and
doing some additional FX shots. Audio is being sweetened as well. (The mix
was the weakest thing about the film). I've never seen a short film that
has had such a positive effect on me personally. My kids and family love
this film. Even my 4 year old daughter says regularly and with an accent,
"What this world needs is a little wonder!" :) (She has it on her iPhone).
I think I've watched it thirty times at least.

Have you seen what they (Doorpost) are doing for 2010? They will narrow it
down to 5 finalists which will each get a budget of $40,000 to make their
final films. What other film competition does that? Plus they fly the film
makers all expenses paid to the Red Carpet event and awards ceremony. Not
to mention the huge prize money.

This year our shop did the FX and compositing on "La Premiere" which won 2nd
place. It is an incredible film as well and was narrated by James Earl
Jones.

If you haven't had a chance check out www.thedoorpost.com and browse the
final films form the last couple of years. You will be inspired on so many
levels, from both the technical and the awe of skill and creativity.

Cheers,
Timothy Duncan

On Sun, Nov 8, 2009 at 5:16 PM, Ben Wharton <b.wharton@dsl.pipex.com> wrote:

>
>
> A bit OT, but after checking out The Door Post Film Project, I'm very
> intrigued as to where their funding comes from. The standard PR fluff is
> very. fluffy.
>
> Does anyone know any more?
>
> Ben
>
> Ben Wharton
>

[Non-text portions of this message have been removed]

------------------------------------

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Re: [FCP-L] Semi OT: Booking a DI

Graphic Designer vs Client:
http://www.youtube.com/watch?v=VfprIxNfCjk

Graphic Designer vs Client The sequel:
http://www.youtube.com/watch?v=XCjcwBGQtiw

NB - NSFW

K

On 11. nov. 2009, at 09.06, Robin S. Kurz wrote:

> Hmmm... gee, wonder if it could actually have something to do with
> this?!:
>
> http://tinyurl.com/yadcezg
>
>
> On 11.11.2009, at 06:50, Multimediac wrote:
>
>> Inspired by? It used the same plates and models.
>>
>> Pretty nerdy.
>
>
> [Non-text portions of this message have been removed]
>
>
>
> ------------------------------------
>
> To learn more about the FinalCutPro-L group, please visit
> http://groups.yahoo.com/group/FinalCutPro-LYahoo! Groups Links
>
>
>

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Re: [FCP-L] Semi OT: Booking a DI

Hmmm... gee, wonder if it could actually have something to do with this?!:

http://tinyurl.com/yadcezg

On 11.11.2009, at 06:50, Multimediac wrote:

> Inspired by? It used the same plates and models.
>
> Pretty nerdy.

[Non-text portions of this message have been removed]

------------------------------------

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