Re: [FCP-L] The Real story about controversial WW2 film archival procedures

Steve Hullfish typed and sent:

> Here's the URL for my story on www.provideocoalition.com. If I say so
> myself, it's an interesting read. It may not quell the debate over the
> transfer procedures. It may actually inflame them.
>
> By the way, the series was edited on Final Cut Pro and EditShare and
> color corrected on Apple Color.
>
> On Nov 18, 2009, at 2:17 AM, Eric J. Gleske wrote:

Thanks for pointing me in the correct direction for another look at this topic- albeit on the internet... ;-)

It is an interesting read. It sounds like an interesting project in scope and scale. I'm sure that everyone involved in their production and technical capacities brought their "A" game and tackled a monumental task in a productive manner.

The intense debate is and should be over the handling of archival materials; not about cropping decisions, cards, cameras, and codecs used, or whether it was posted on a Mac or PC. As of this morning, LumiereHD.com is still promoting the Shakefire.com interview on their homepage, but not yours, which could perhaps clarify the very items that touched of the raging debate. Archivist and those who work with them are rightly ruffled when reading such things as are being promoted by Lumiere. At the very least, for people working on the next project of similar scope, greater care will be taken with ALL materials, no matter how trivial they might be thought by those handling them.

I think Jeff Kreines' comments at your article are worth noting as well, and should be used to further other important discussions.

Back to the internet to find my kidneys...

Eric Gleske
Somewhat in Oregon

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