Wednesday, November 25, 2009

Re: [FCP-L] Re: OT: Monitors

Now if you can get that dog to edit, that's a real concept.

Ian Wilson
Colortape Productions
Ian@colortape.tv
0418 327 082
Via iPhone

On 26/11/2009, at 4:09 PM, "Bob Zelin" <maxavid@cfl.rr.com> wrote:

> I don't believe you have ever sat in front of a 30" monitor.
> Perhaps you should do so. The font's are not bigger - they are
> SMALLER (to get more stuff on the screen).
> I am planning on getting a talking seeing eye dog to assist me with
> viewing the monitors.
>
> With that said, you could get a 42" Plasma screen (like a Panasonic
> TH42PD12UK for $839), and keep the resolution at 1280x768. Now THIS
> will be big !
>
> Bob Zelin
>
> ----- Original Message -----
> From: Rob
> To: FinalCutPro-L@yahoogroups.com
> Sent: Thursday, November 26, 2009 12:05 AM
> Subject: [FCP-L] Re: OT: Monitors
>
>
>
>
>
> Oh I've got glasses... now. Transition Lenses Bi Focals. ( I was
> waiting for the glasses suggestion) The problem is that glasses
> don't work with the distances I sit from the monitors at either my
> client's suites or at home. Don't really need them for stuff that's
> a few feet away. It just seems that bigger would be better for an
> editing monitor at home then I though perhaps two would be
> better.The weak link right now is the 15" laptop screen for the
> browser. I'll save the dual monitor set up for when I purchase a Mac
> Pro next year some time. In the mean time I like the suggestion of
> going with a 27" or even a 30". Maybe I can manage a narrowed
> browser window and the timeline, viewer, and canvas on the same
> screen.
>
> Thank you all for your suggestions. I've monitored the generations
> of the Avid-L for many years and found them to be of great value.
> It's nice to see the same from the FCP-L.
>
> Rob Edsall
>
> --- In FinalCutPro-L@yahoogroups.com, "Bob Zelin" <maxavid@...>
> wrote:
>>
>> My eyes are going completely. There are so many good monitors out
>> there today, that include the DELL, and HP, etc., but the real
>> ability to be able to see
>> is in your reading glasses. I am still using "Wal Mart" off the
>> shelf reading glasses (1.5), but the time has come for me to get a
>> real pair of perscription glasses.
>> Getting a better monitor, is not going to help you see any better.
>>
>> Bob Zelin
>>
>> ----- Original Message -----
>> From: Rob
>> To: FinalCutPro-L@yahoogroups.com
>> Sent: Wednesday, November 25, 2009 11:20 AM
>> Subject: [FCP-L] Re: OT: Monitors
>>
>>
>>
>> Thanks for the input so far on this topic. What's happening is that
>> my eyes are starting to go. I've been a full time editor since 82
>> and it's frustrating not being able to see clearly anymore. Now I'm
>> bouncing between the 15" screen on my MBP for the browser and 20"
>> screen for the timeline and viewer windows. I'm really straining to
>> see the browser after looking at the 20"for awhile. What I really
>> need is dual 24' monitors that I can run off my non mini display
>> port MBP. I've gone freelance now and will eventually buy a tower
>> but in the mean time I would like to use the MPB as the engine for
>> this system. It is certainly powerful enough. I've been looking at
>> Dell monitors because Zelin recommended them in a number of
>> articles I've come across while researching monitors. Now Steve has
>> recommended Samsung so I'll look into them. Either way, is it
>> possible to run two monitors from my MPB without the mini display
>> port? Someone recommended the Gefen adaptor as the solution to the
>> mini display port issue but I don't see how that helps with running
>> two monitors. Any help here would be greatly appreciated. I also
>> just started using FCP after twenty years of Avid so... I can't see
>> anymore and now the steering wheel is on the other side of the car.
>> I hope I don't crash.
>>
>> Thanks All
>>
>> --- In FinalCutPro-L@yahoogroups.com, "redsall2002" <redsall@> wrote:
>>>
>>> I'm thinking about purchasing a new Dell U2410 LCD to use with my
>>> year and a half old MBP for a FCP system I'm use when working at
>>> home. The new Cinema Displays will not work with my MBP because
>>> there is no mini display port and no adaptor as yet. Anyway I have
>>> been looking at all sorts of solutions and the Dell seems to be
>>> the best in that price range. There is however a large collection
>>> of negative reviews all over the web regarding green/pink issues
>>> on some of the monitors that Dell has shipped out. Anybody with
>>> this monitor had to deal with this? My real question is, what are
>>> other people with similar set ups to mine using for an external
>>> monitor? While I'm at it I might as well ask if anybody is using
>>> two external monitors with the MPB? If so, how are you
>>> accomplishing that?
>>>
>>> Thanks
>>>
>>
>>
>>
>>
>>
>> [Non-text portions of this message have been removed]
>>
>
>
>
>
>
> [Non-text portions of this message have been removed]
>
>
>
> ------------------------------------
>
> To learn more about the FinalCutPro-L group, please visit
> http://groups.yahoo.com/group/FinalCutPro-LYahoo! Groups Links
>
>
>


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Re: [FCP-L] Re: OT: Monitors

I don't believe you have ever sat in front of a 30" monitor. Perhaps you should do so. The font's are not bigger - they are SMALLER (to get more stuff on the screen).
I am planning on getting a talking seeing eye dog to assist me with viewing the monitors.

With that said, you could get a 42" Plasma screen (like a Panasonic TH42PD12UK for $839), and keep the resolution at 1280x768. Now THIS will be big !

Bob Zelin

----- Original Message -----
From: Rob
To: FinalCutPro-L@yahoogroups.com
Sent: Thursday, November 26, 2009 12:05 AM
Subject: [FCP-L] Re: OT: Monitors



Oh I've got glasses... now. Transition Lenses Bi Focals. ( I was waiting for the glasses suggestion) The problem is that glasses don't work with the distances I sit from the monitors at either my client's suites or at home. Don't really need them for stuff that's a few feet away. It just seems that bigger would be better for an editing monitor at home then I though perhaps two would be better.The weak link right now is the 15" laptop screen for the browser. I'll save the dual monitor set up for when I purchase a Mac Pro next year some time. In the mean time I like the suggestion of going with a 27" or even a 30". Maybe I can manage a narrowed browser window and the timeline, viewer, and canvas on the same screen.

Thank you all for your suggestions. I've monitored the generations of the Avid-L for many years and found them to be of great value. It's nice to see the same from the FCP-L.

Rob Edsall

--- In FinalCutPro-L@yahoogroups.com, "Bob Zelin" <maxavid@...> wrote:
>
> My eyes are going completely. There are so many good monitors out there today, that include the DELL, and HP, etc., but the real ability to be able to see
> is in your reading glasses. I am still using "Wal Mart" off the shelf reading glasses (1.5), but the time has come for me to get a real pair of perscription glasses.
> Getting a better monitor, is not going to help you see any better.
>
> Bob Zelin
>
> ----- Original Message -----
> From: Rob
> To: FinalCutPro-L@yahoogroups.com
> Sent: Wednesday, November 25, 2009 11:20 AM
> Subject: [FCP-L] Re: OT: Monitors
>
>
>
> Thanks for the input so far on this topic. What's happening is that my eyes are starting to go. I've been a full time editor since 82 and it's frustrating not being able to see clearly anymore. Now I'm bouncing between the 15" screen on my MBP for the browser and 20" screen for the timeline and viewer windows. I'm really straining to see the browser after looking at the 20"for awhile. What I really need is dual 24' monitors that I can run off my non mini display port MBP. I've gone freelance now and will eventually buy a tower but in the mean time I would like to use the MPB as the engine for this system. It is certainly powerful enough. I've been looking at Dell monitors because Zelin recommended them in a number of articles I've come across while researching monitors. Now Steve has recommended Samsung so I'll look into them. Either way, is it possible to run two monitors from my MPB without the mini display port? Someone recommended the Gefen adaptor as the solution to the mini display port issue but I don't see how that helps with running two monitors. Any help here would be greatly appreciated. I also just started using FCP after twenty years of Avid so... I can't see anymore and now the steering wheel is on the other side of the car. I hope I don't crash.
>
> Thanks All
>
> --- In FinalCutPro-L@yahoogroups.com, "redsall2002" <redsall@> wrote:
> >
> > I'm thinking about purchasing a new Dell U2410 LCD to use with my year and a half old MBP for a FCP system I'm use when working at home. The new Cinema Displays will not work with my MBP because there is no mini display port and no adaptor as yet. Anyway I have been looking at all sorts of solutions and the Dell seems to be the best in that price range. There is however a large collection of negative reviews all over the web regarding green/pink issues on some of the monitors that Dell has shipped out. Anybody with this monitor had to deal with this? My real question is, what are other people with similar set ups to mine using for an external monitor? While I'm at it I might as well ask if anybody is using two external monitors with the MPB? If so, how are you accomplishing that?
> >
> > Thanks
> >
>
>
>
>
>
> [Non-text portions of this message have been removed]
>

[Non-text portions of this message have been removed]

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[FCP-L] Re: OT: Monitors

Oh I've got glasses... now. Transition Lenses Bi Focals. ( I was waiting for the glasses suggestion) The problem is that glasses don't work with the distances I sit from the monitors at either my client's suites or at home. Don't really need them for stuff that's a few feet away. It just seems that bigger would be better for an editing monitor at home then I though perhaps two would be better.The weak link right now is the 15" laptop screen for the browser. I'll save the dual monitor set up for when I purchase a Mac Pro next year some time. In the mean time I like the suggestion of going with a 27" or even a 30". Maybe I can manage a narrowed browser window and the timeline, viewer, and canvas on the same screen.

Thank you all for your suggestions. I've monitored the generations of the Avid-L for many years and found them to be of great value. It's nice to see the same from the FCP-L.

Rob Edsall


--- In FinalCutPro-L@yahoogroups.com, "Bob Zelin" <maxavid@...> wrote:
>
> My eyes are going completely. There are so many good monitors out there today, that include the DELL, and HP, etc., but the real ability to be able to see
> is in your reading glasses. I am still using "Wal Mart" off the shelf reading glasses (1.5), but the time has come for me to get a real pair of perscription glasses.
> Getting a better monitor, is not going to help you see any better.
>
> Bob Zelin
>
> ----- Original Message -----
> From: Rob
> To: FinalCutPro-L@yahoogroups.com
> Sent: Wednesday, November 25, 2009 11:20 AM
> Subject: [FCP-L] Re: OT: Monitors
>
>
>
> Thanks for the input so far on this topic. What's happening is that my eyes are starting to go. I've been a full time editor since 82 and it's frustrating not being able to see clearly anymore. Now I'm bouncing between the 15" screen on my MBP for the browser and 20" screen for the timeline and viewer windows. I'm really straining to see the browser after looking at the 20"for awhile. What I really need is dual 24' monitors that I can run off my non mini display port MBP. I've gone freelance now and will eventually buy a tower but in the mean time I would like to use the MPB as the engine for this system. It is certainly powerful enough. I've been looking at Dell monitors because Zelin recommended them in a number of articles I've come across while researching monitors. Now Steve has recommended Samsung so I'll look into them. Either way, is it possible to run two monitors from my MPB without the mini display port? Someone recommended the Gefen adaptor as the solution to the mini display port issue but I don't see how that helps with running two monitors. Any help here would be greatly appreciated. I also just started using FCP after twenty years of Avid so... I can't see anymore and now the steering wheel is on the other side of the car. I hope I don't crash.
>
> Thanks All
>
> --- In FinalCutPro-L@yahoogroups.com, "redsall2002" <redsall@> wrote:
> >
> > I'm thinking about purchasing a new Dell U2410 LCD to use with my year and a half old MBP for a FCP system I'm use when working at home. The new Cinema Displays will not work with my MBP because there is no mini display port and no adaptor as yet. Anyway I have been looking at all sorts of solutions and the Dell seems to be the best in that price range. There is however a large collection of negative reviews all over the web regarding green/pink issues on some of the monitors that Dell has shipped out. Anybody with this monitor had to deal with this? My real question is, what are other people with similar set ups to mine using for an external monitor? While I'm at it I might as well ask if anybody is using two external monitors with the MPB? If so, how are you accomplishing that?
> >
> > Thanks
> >
>
>
>
>
>
> [Non-text portions of this message have been removed]
>

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Re: [FCP-L] Re: OT: Monitors

Bob
Walmart sells prescription glasses too.

Sent from my iPhone
Lou Wirth


On Nov 25, 2009, at 2:59 PM, "Bob Zelin" <maxavid@cfl.rr.com> wrote:

> My eyes are going completely. There are so many good monitors out
> there today, that include the DELL, and HP, etc., but the real
> ability to be able to see
> is in your reading glasses. I am still using "Wal Mart" off the
> shelf reading glasses (1.5), but the time has come for me to get a
> real pair of perscription glasses.
> Getting a better monitor, is not going to help you see any better.
>
> Bob Zelin
>
> ----- Original Message -----
> From: Rob
> To: FinalCutPro-L@yahoogroups.com
> Sent: Wednesday, November 25, 2009 11:20 AM
> Subject: [FCP-L] Re: OT: Monitors
>
>
>
> Thanks for the input so far on this topic. What's happening is that
> my eyes are starting to go. I've been a full time editor since 82
> and it's frustrating not being able to see clearly anymore. Now I'm
> bouncing between the 15" screen on my MBP for the browser and 20"
> screen for the timeline and viewer windows. I'm really straining to
> see the browser after looking at the 20"for awhile. What I really
> need is dual 24' monitors that I can run off my non mini display
> port MBP. I've gone freelance now and will eventually buy a tower
> but in the mean time I would like to use the MPB as the engine for
> this system. It is certainly powerful enough. I've been looking at
> Dell monitors because Zelin recommended them in a number of articles
> I've come across while researching monitors. Now Steve has
> recommended Samsung so I'll look into them. Either way, is it
> possible to run two monitors from my MPB without the mini display
> port? Someone recommended the Gefen adaptor as the solution to the
> mini display port issue but I don't see how that helps with running
> two monitors. Any help here would be greatly appreciated. I also
> just started using FCP after twenty years of Avid so... I can't see
> anymore and now the steering wheel is on the other side of the car.
> I hope I don't crash.
>
> Thanks All
>
> --- In FinalCutPro-L@yahoogroups.com, "redsall2002" <redsall@...>
> wrote:
>>
>> I'm thinking about purchasing a new Dell U2410 LCD to use with my
>> year and a half old MBP for a FCP system I'm use when working at
>> home. The new Cinema Displays will not work with my MBP because
>> there is no mini display port and no adaptor as yet. Anyway I have
>> been looking at all sorts of solutions and the Dell seems to be the
>> best in that price range. There is however a large collection of
>> negative reviews all over the web regarding green/pink issues on
>> some of the monitors that Dell has shipped out. Anybody with this
>> monitor had to deal with this? My real question is, what are other
>> people with similar set ups to mine using for an external monitor?
>> While I'm at it I might as well ask if anybody is using two
>> external monitors with the MPB? If so, how are you accomplishing
>> that?
>>
>> Thanks
>>
>
>
>
>
>
> [Non-text portions of this message have been removed]
>
>
>
> ------------------------------------
>
> To learn more about the FinalCutPro-L group, please visit
> http://groups.yahoo.com/group/FinalCutPro-LYahoo! Groups Links
>
>
>


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Re: [FCP-L] OT: Monitors

Don't worry if you're not super proud of it Steve. If it airs on TV One, no one will see it. (-;

Rick (cut promos at TV One for the last 3 months) Emery
www.rickemery.com


________________________________
From: Steve Hullfish <steve4lists@veralith.com>
To: FinalCutPro-L@yahoogroups.com
Sent: Wed, November 25, 2009 11:18:52 AM
Subject: Re: [FCP-L] OT: Monitors

OK, I'm home. Total hours of sleep over four nights: 16. (Concert will
be broadcast nationally on TVOne on Dec 13 and Christmas morning, I
think, if anyone wants to see, though cutting a two hour, eight
camera concert with 15 minutes of "profile vignettes" in only four
days (offline AND on-line) does not lead to a product that I'm
completely proud of. Check out "Joy of Christmas.").

I have NOT taken these monitors out of the box yet, so I can't comment
on them, but I have a trusted reseller that recommended them because
they're the ones he uses personally. It's the SyncMaster 2343. The SKU
is 729507805276. It looks like the reseller actually had it shipped
from NewEgg. It says the res is 2048 x 1152.


On Nov 23, 2009, at 1:35 PM, Jim Feeley wrote:

> There's a bazillion different SyncMaster models, and I'm not all that
> familiar with their line. So if you could dig up the model number
> next time
> it's easy for you to do so, I'd appreciate it.
>
> Thanks Steve,
>
> Jim
>
> On 11/23/09 9:05 AM, "Steve Hullfish" <steve4lists@veralith.com>
> wrote:
>
> > Samsung SyncMaster 23 Inch WIdescreen is all I have with me. Google
> > it, or I can give you details when I'm back in the office. I just
> > bought them as part of a larger package. I don't remember the exact
> > price but I think they were about $350 each,
> >
> > On Nov 23, 2009, at 10:05 AM, Jim Feeley wrote:
> >
> >> What model Samsung, and what approx price?
> >
> >
> > [Non-text portions of this message have been removed]
> >
> >
> >
> > ------------------------------------
> >
> > To learn more about the FinalCutPro-L group, please visit
> > http://groups.yahoo.com/group/FinalCutPro-LYahoo! Groups Links
> >
> >
> >
>
> --
> Jim Feeley
> POV Media
>
>

[Non-text portions of this message have been removed]

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[Non-text portions of this message have been removed]

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Re: [FCP-L] Re: OT: Monitors

My eyes are going completely. There are so many good monitors out there today, that include the DELL, and HP, etc., but the real ability to be able to see
is in your reading glasses. I am still using "Wal Mart" off the shelf reading glasses (1.5), but the time has come for me to get a real pair of perscription glasses.
Getting a better monitor, is not going to help you see any better.

Bob Zelin

----- Original Message -----
From: Rob
To: FinalCutPro-L@yahoogroups.com
Sent: Wednesday, November 25, 2009 11:20 AM
Subject: [FCP-L] Re: OT: Monitors



Thanks for the input so far on this topic. What's happening is that my eyes are starting to go. I've been a full time editor since 82 and it's frustrating not being able to see clearly anymore. Now I'm bouncing between the 15" screen on my MBP for the browser and 20" screen for the timeline and viewer windows. I'm really straining to see the browser after looking at the 20"for awhile. What I really need is dual 24' monitors that I can run off my non mini display port MBP. I've gone freelance now and will eventually buy a tower but in the mean time I would like to use the MPB as the engine for this system. It is certainly powerful enough. I've been looking at Dell monitors because Zelin recommended them in a number of articles I've come across while researching monitors. Now Steve has recommended Samsung so I'll look into them. Either way, is it possible to run two monitors from my MPB without the mini display port? Someone recommended the Gefen adaptor as the solution to the mini display port issue but I don't see how that helps with running two monitors. Any help here would be greatly appreciated. I also just started using FCP after twenty years of Avid so... I can't see anymore and now the steering wheel is on the other side of the car. I hope I don't crash.

Thanks All

--- In FinalCutPro-L@yahoogroups.com, "redsall2002" <redsall@...> wrote:
>
> I'm thinking about purchasing a new Dell U2410 LCD to use with my year and a half old MBP for a FCP system I'm use when working at home. The new Cinema Displays will not work with my MBP because there is no mini display port and no adaptor as yet. Anyway I have been looking at all sorts of solutions and the Dell seems to be the best in that price range. There is however a large collection of negative reviews all over the web regarding green/pink issues on some of the monitors that Dell has shipped out. Anybody with this monitor had to deal with this? My real question is, what are other people with similar set ups to mine using for an external monitor? While I'm at it I might as well ask if anybody is using two external monitors with the MPB? If so, how are you accomplishing that?
>
> Thanks
>

[Non-text portions of this message have been removed]

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[FCP-L] harpertown vs nehalem processors

Anyone have any opinions regarding real world FCP performance between the two? I see some refurbished 2008 8-core models selling about the same price as a new quad core.

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Re: [FCP-L] Re: OT: Monitors

Rob,

I don't know if you can satisfactorily drive two external monitors from a
MBP. There were, for a little while, some Expresscard video adapters, I
think...but I don't know if those were available with Mac drivers or if they
delivered decent video (I kinda suspect not in both cases).

One think you could consider would be a single 27-inch or 30-inch LCD. Not
the same as two 24-inch monitors, but drivable from most recent MBPs (like
two-year old 15-inch MBPs)

Best,

Jim

On 11/25/09 8:20 AM, "Rob" <redsall@snavelyassociates.com> wrote:

> Thanks for the input so far on this topic. What's happening is that my eyes
> are starting to go. I've been a full time editor since 82 and it's frustrating
> not being able to see clearly anymore. Now I'm bouncing between the 15" screen
> on my MBP for the browser and 20" screen for the timeline and viewer windows.
> I'm really straining to see the browser after looking at the 20"for awhile.
> What I really need is dual 24' monitors that I can run off my non mini display
> port MBP. I've gone freelance now and will eventually buy a tower but in the
> mean time I would like to use the MPB as the engine for this system. It is
> certainly powerful enough. I've been looking at Dell monitors because Zelin
> recommended them in a number of articles I've come across while researching
> monitors. Now Steve has recommended Samsung so I'll look into them. Either
> way, is it possible to run two monitors from my MPB without the mini display
> port? Someone recommended the Gefen adaptor as the solution to the mini
> display port issue but I don't see how that helps with running two monitors.
> Any help here would be greatly appreciated. I also just started using FCP
> after twenty years of Avid so... I can't see anymore and now the steering
> wheel is on the other side of the car. I hope I don't crash.
>
> Thanks All
>
>
> --- In FinalCutPro-L@yahoogroups.com, "redsall2002" <redsall@...> wrote:
>>
>> I'm thinking about purchasing a new Dell U2410 LCD to use with my year and a
>> half old MBP for a FCP system I'm use when working at home. The new Cinema
>> Displays will not work with my MBP because there is no mini display port and
>> no adaptor as yet. Anyway I have been looking at all sorts of solutions and
>> the Dell seems to be the best in that price range. There is however a large
>> collection of negative reviews all over the web regarding green/pink issues
>> on some of the monitors that Dell has shipped out. Anybody with this monitor
>> had to deal with this? My real question is, what are other people with
>> similar set ups to mine using for an external monitor? While I'm at it I
>> might as well ask if anybody is using two external monitors with the MPB? If
>> so, how are you accomplishing that?
>>
>> Thanks
>>
>
>
>
>
> ------------------------------------
>
> To learn more about the FinalCutPro-L group, please visit
> http://groups.yahoo.com/group/FinalCutPro-LYahoo! Groups Links
>
>
>

--
Jim Feeley
POV Media


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Re: [FCP-L] OT: Monitors

Thanks Steve. Get some sleep so you can help cook and eat your Thanksgiving
feast.

Best,

Jim


On 11/25/09 8:18 AM, "Steve Hullfish" <steve4lists@veralith.com> wrote:

> OK, I'm home. Total hours of sleep over four nights: 16. (Concert will
> be broadcast nationally on TVOne on Dec 13 and Christmas morning, I
> think, if anyone wants to see, though cutting a two hour, eight
> camera concert with 15 minutes of "profile vignettes" in only four
> days (offline AND on-line) does not lead to a product that I'm
> completely proud of. Check out "Joy of Christmas.").
>
> I have NOT taken these monitors out of the box yet, so I can't comment
> on them, but I have a trusted reseller that recommended them because
> they're the ones he uses personally. It's the SyncMaster 2343. The SKU
> is 729507805276. It looks like the reseller actually had it shipped
> from NewEgg. It says the res is 2048 x 1152.
>
>
> On Nov 23, 2009, at 1:35 PM, Jim Feeley wrote:
>
>> There's a bazillion different SyncMaster models, and I'm not all that
>> familiar with their line. So if you could dig up the model number
>> next time
>> it's easy for you to do so, I'd appreciate it.
>>
>> Thanks Steve,
>>
>> Jim
>>
>> On 11/23/09 9:05 AM, "Steve Hullfish" <steve4lists@veralith.com>
>> wrote:
>>
>>> Samsung SyncMaster 23 Inch WIdescreen is all I have with me. Google
>>> it, or I can give you details when I'm back in the office. I just
>>> bought them as part of a larger package. I don't remember the exact
>>> price but I think they were about $350 each,
>>>
>>> On Nov 23, 2009, at 10:05 AM, Jim Feeley wrote:
>>>
>>>> What model Samsung, and what approx price?
>>>
>>>
>>> [Non-text portions of this message have been removed]
>>>
>>>
>>>
>>> ------------------------------------
>>>
>>> To learn more about the FinalCutPro-L group, please visit
>>> http://groups.yahoo.com/group/FinalCutPro-LYahoo! Groups Links
>>>
>>>
>>>
>>
>> --
>> Jim Feeley
>> POV Media
>>
>>
>
>
>
> [Non-text portions of this message have been removed]
>
>
>
> ------------------------------------
>
> To learn more about the FinalCutPro-L group, please visit
> http://groups.yahoo.com/group/FinalCutPro-LYahoo! Groups Links
>
>
>

--
Jim Feeley
POV Media


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[FCP-L] Re: OT: Monitors

Thanks for the input so far on this topic. What's happening is that my eyes are starting to go. I've been a full time editor since 82 and it's frustrating not being able to see clearly anymore. Now I'm bouncing between the 15" screen on my MBP for the browser and 20" screen for the timeline and viewer windows. I'm really straining to see the browser after looking at the 20"for awhile. What I really need is dual 24' monitors that I can run off my non mini display port MBP. I've gone freelance now and will eventually buy a tower but in the mean time I would like to use the MPB as the engine for this system. It is certainly powerful enough. I've been looking at Dell monitors because Zelin recommended them in a number of articles I've come across while researching monitors. Now Steve has recommended Samsung so I'll look into them. Either way, is it possible to run two monitors from my MPB without the mini display port? Someone recommended the Gefen adaptor as the solution to the mini display port issue but I don't see how that helps with running two monitors. Any help here would be greatly appreciated. I also just started using FCP after twenty years of Avid so... I can't see anymore and now the steering wheel is on the other side of the car. I hope I don't crash.

Thanks All


--- In FinalCutPro-L@yahoogroups.com, "redsall2002" <redsall@...> wrote:
>
> I'm thinking about purchasing a new Dell U2410 LCD to use with my year and a half old MBP for a FCP system I'm use when working at home. The new Cinema Displays will not work with my MBP because there is no mini display port and no adaptor as yet. Anyway I have been looking at all sorts of solutions and the Dell seems to be the best in that price range. There is however a large collection of negative reviews all over the web regarding green/pink issues on some of the monitors that Dell has shipped out. Anybody with this monitor had to deal with this? My real question is, what are other people with similar set ups to mine using for an external monitor? While I'm at it I might as well ask if anybody is using two external monitors with the MPB? If so, how are you accomplishing that?
>
> Thanks
>


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Re: [FCP-L] OT: Monitors

OK, I'm home. Total hours of sleep over four nights: 16. (Concert will
be broadcast nationally on TVOne on Dec 13 and Christmas morning, I
think, if anyone wants to see, though cutting a two hour, eight
camera concert with 15 minutes of "profile vignettes" in only four
days (offline AND on-line) does not lead to a product that I'm
completely proud of. Check out "Joy of Christmas.").

I have NOT taken these monitors out of the box yet, so I can't comment
on them, but I have a trusted reseller that recommended them because
they're the ones he uses personally. It's the SyncMaster 2343. The SKU
is 729507805276. It looks like the reseller actually had it shipped
from NewEgg. It says the res is 2048 x 1152.


On Nov 23, 2009, at 1:35 PM, Jim Feeley wrote:

> There's a bazillion different SyncMaster models, and I'm not all that
> familiar with their line. So if you could dig up the model number
> next time
> it's easy for you to do so, I'd appreciate it.
>
> Thanks Steve,
>
> Jim
>
> On 11/23/09 9:05 AM, "Steve Hullfish" <steve4lists@veralith.com>
> wrote:
>
> > Samsung SyncMaster 23 Inch WIdescreen is all I have with me. Google
> > it, or I can give you details when I'm back in the office. I just
> > bought them as part of a larger package. I don't remember the exact
> > price but I think they were about $350 each,
> >
> > On Nov 23, 2009, at 10:05 AM, Jim Feeley wrote:
> >
> >> What model Samsung, and what approx price?
> >
> >
> > [Non-text portions of this message have been removed]
> >
> >
> >
> > ------------------------------------
> >
> > To learn more about the FinalCutPro-L group, please visit
> > http://groups.yahoo.com/group/FinalCutPro-LYahoo! Groups Links
> >
> >
> >
>
> --
> Jim Feeley
> POV Media
>
>

[Non-text portions of this message have been removed]

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[FCP-L] Re: OT Compressor Strip CC

On Nov 25, 2009, at 12:02:39 AM, Andy wrote:

I'm interested in seeing what FCP 7 offers on 
the captioning front, but Apples articles or instructions in the 
manual are pretty thin.

Agreed. But FCP 7 won't help you in your situation. It does allow you to capture and add CC to HD using the Kona 3 card. But that is done on output. For yo take advantage of that, you would need two systems, one to play out through the Kona with a caption file attached, and another to capture that stream through a Kona while maintaining CC data. 

--
Terence Curren
Burbank, CA
www.alphadogs.tv
www.digitalservicestation.com


[Non-text portions of this message have been removed]

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Re: [FCP-L] Question about color correction

But you SHOULD buy it, it is a very good book - plus the author gives freely on the boards.

R
____________________
Ricardo Ismach
Casual Dog Productions, LLC
Portland, OR
Atlanta, GA
http://www.casualdog.org
bad-dog@casualdog.org

On Nov 24, 2009, at 7:36 PM, Steve Hullfish wrote:

> In FCP, look at the scopes - internal if you have to - and spread the
> tonal range (black to white) so that your blacks go all the way down
> to 0 and your whites go all the way to 100. Then, with the color wheel
> in either the regular color corrector filter or the 3 way color
> corrector, slowly push the center of the scope towards magenta (up and
> to the right, about 2 or 3 o'clock on a clock face). Problem solved.
> Now you don't have to buy my book.
>
> Do NOT use a blue filter.
>
> On Nov 24, 2009, at 6:11 PM, Multimediac wrote:
>
>> If this is a balance problem throughout (like poor white balance) it
>> should be easily remedied with the 3 way color correction tool.
>>
>> Read both of Steve Hullfish's books, especially the second one, "The
>> Art of Digital Ciolor Correction" Its an incredible educational tool
>> on the subject and I highly recommend it.
>>
>> George
>>
>> --- On Tue, 11/24/09, Rieni <polderien@orange.fr> wrote:
>>
>> From: Rieni <polderien@orange.fr>
>> Subject: [FCP-L] Question about color correction
>> To: FinalCutPro-L@yahoogroups.com
>> Date: Tuesday, November 24, 2009, 3:17 AM
>>
>>
>>
>> I have a lot of footage shot with a Canon HDV camcorder XH A1 which
>>
>> has a dirty, greenish color (partly because most was shot with
>>
>> fluorescent lights, some camcorder chips seem to have a problem with
>>
>> this). When I export a still and import in Photoshop and use a blue
>>
>> colored photo filter with 25% opacity, the image looks much better.
>>
>> Now I want to duplicate this in FCP to improve the video image.
>>
>> Should I export the blue filter from Photoshop and import that into
>>
>> the FCP project and add as a layer on top of the videoclips in the
>>
>> sequence, give 25% opacity, of would this not make any sense at all,
>>
>> or are there FCP built-in filters which achieve the same result?
>>
>> I don't want to make the image more blue, because that is not what a
>>
>> Photoshop photo filter does, it rather changes the balance between
>>
>> the red, green and blue.
>>
>> Any suggestions about books or DVDs for color correction self
>>
>> studying are very welcome.
>>
>> Thanks,
>>
>> Rieni
>>
>> [Non-text portions of this message have been removed]
>>
>>
>>
>
>
>
> [Non-text portions of this message have been removed]
>
>
>
> ------------------------------------
>
> To learn more about the FinalCutPro-L group, please visit
> http://groups.yahoo.com/group/FinalCutPro-LYahoo! Groups Links
>
>
>

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Tuesday, November 24, 2009

[FCP-L] Re: Export still image from sequence?

If that is true Rieni, then you have only yourself to blame for not researching more thoroughly.


--- In FinalCutPro-L@yahoogroups.com, Rieni <polderien@...> wrote:
>
> By the way, being able to export stills more easily was one of my
> reasons to upgrade from Final Cut Express to Final Cut Pro. I was
> really expecting to find a "export frame as still" shortcut in the
> Pro interface lol
>


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Re: [FCP-L] OT Compressor Strip CC

Of course, my reply was all based on SD. I don't know how that might apply
to HD.

I was told by engineers at our local PBS station, that HD captioning doesn't
make it through the FCP process. But they are still on FCP 6 since many of
their systems are still PPC-based. Perhaps I misunderstood them. Or maybe
I'm not understanding you.

Kerry
-------------------
Kerry Soloway
http://www.NightingaleEditorial.com
201-247-4110
ksoloway@gmail.com

Watch "Consuelo Mack/WealthTrack" weekly on PBS. Check your local listings.


On Wed, Nov 25, 2009 at 1:02 AM, Andy Edwards <aedigitaltv@mac.com> wrote:

> When you export in FCP vs compressor, you can choose to have the file
> use your current sequence settings or you can choose to have it re-
> compress every frame in the sequence when you export. All of our show
> exports go through Captioning and the file is re-embedded with new
> captions. The problem we have had in the past if we use previously
> captioned flattened show files as elements in a new show, the
> captioning can cause a problem when they get redone. The new
> captioning won't stick or there is some corruption from using the old
> captioned file as an element. So stripping or removing the captioning
> before putting them into the new sequence will help save time on the
> renders as I can then just use current sequence settings vs. re-
> rendering every frame. I'm interested in seeing what FCP 7 offers on
> the captioning front, but Apples articles or instructions in the
> manual are pretty thin. Since most of our edit stations are still
> thumping away on 6.0.6, FCP 7 is still a glimmer in the future. Hope
> this makes a little more sense.
>


[Non-text portions of this message have been removed]

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[FCP-L] Re: New MOTU Video Capture System

Looks really nice Eddie, should give the similarly priced Matrox MXO2 LE and AJA Io Express a very good run for the money.


--- In FinalCutPro-L@yahoogroups.com, Eddie Sullivan <esullivan@...> wrote:
>
> Not 'cheap' - a very good quality system at a good price ; )
>
> On Nov 24, 2009, at 4:06 PM, john@... wrote:
>
> > Wow! That's cheap!
>
> Eddie Sullivan
> Sales Consultant
> IMS Pro A/V
> The Stony Brook Technology Center
> 21 Technology Drive
> E. Setauket NY 11733
> Toll Free- 1800 344 6434
> office- 631 751 3583
> fax-1 631 751 4552
> esullivan@...
>
>
>
>
>
>
>
> [Non-text portions of this message have been removed]
>


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Re: [FCP-L] OT Compressor Strip CC

When you export in FCP vs compressor, you can choose to have the file
use your current sequence settings or you can choose to have it re-
compress every frame in the sequence when you export. All of our show
exports go through Captioning and the file is re-embedded with new
captions. The problem we have had in the past if we use previously
captioned flattened show files as elements in a new show, the
captioning can cause a problem when they get redone. The new
captioning won't stick or there is some corruption from using the old
captioned file as an element. So stripping or removing the captioning
before putting them into the new sequence will help save time on the
renders as I can then just use current sequence settings vs. re-
rendering every frame. I'm interested in seeing what FCP 7 offers on
the captioning front, but Apples articles or instructions in the
manual are pretty thin. Since most of our edit stations are still
thumping away on 6.0.6, FCP 7 is still a glimmer in the future. Hope
this makes a little more sense.

Andy Edwards

On Nov 24, 2009, at 10:37 PM, johnrobmoore wrote:

> By recompress is that a compressor function or internal in FCP. I'm
> mostly on Avid so sometimes my terminology for FCP is off. How do
> you set it to strip HD Captioning since it's in the anc. metadata on
> line 9 in the vertical interval? I'm guessing this might be part of
> the new Captioning functionality in FCP7/Kona 3 I've heard about.
>
> --- In FinalCutPro-L@yahoogroups.com, Andy Edwards <aedigitaltv@...>
> wrote:
> >
> > John,
> >
> > On the HD side of things: Yes, the longer renders come from having
> to
> > recompress all frames to remove the previous captions vs. just
> > exporting a dvcprohd sequence with current settings. It ads an
> > additional 30+ mintues to the render.
> >
> > Sent from my fruit phone.
> >
> > On Nov 24, 2009, at 9:38 PM, johnrobmoore <bigfish@...> wrote:
> >
> > > Just curious how the presence of captioning SD style makes for
> > > longer renders? Is it that the necessary effect to remove the
> > > captioning is what creates the longer renders. Since SD captioning
> > > is just a line of blips of white on line 21 I don't see why that
> > > requires extra rendering time unless it's the removal process.
> > >
> > > --- In FinalCutPro-L@yahoogroups.com, Andy Edwards <aedigitaltv@>
> > > wrote:
> > > >
> > > > Thanks for the details Kerry. It is all HD. A show I am now
> working
> > > > on uses flattened air masters files for look back elements of
> > > previous
> > > > shows. They come with the captioning that makes for longer
> renders
> > > > when outputting the new master. I have to recompress all
> frames to
> > > > remove the captioning in each episode.
> > > >
> > > > Maybe I'll just grab the terrabyte of files and batch export
> them
> > > all
> > > > over the turkey day holiday from fcp.
> > > >
> > > > Thanks,
> > > > Andy Edwards
> > > >
> > > > Sent from my fruit phone.
> > > >
> > > > On Nov 24, 2009, at 7:59 PM, Kerry Soloway <ksoloway@> wrote:
> > > >
> > > > > When you say "strip", do you mean "remove"?
> > > > >
> > > > > Is this an SD or HD program?
> > > > >
> > > > > When I have had to re-edit closed captioned SD programs but
> > > maintain
> > > > > the
> > > > > closed captioning, I found that if I overlay the original
> video
> > > with a
> > > > > bottom crop of 99.5 (which I believe is in %), it will allow
> me to
> > > > > preserve
> > > > > the captioning. The inverse of that would be a top crop of .
> 5 (1/2
> > > > > of 1%),
> > > > > if I wanted to remove it.
> > > > >
> > > > > Consequently, I'm thinking that, you could crop the top 2 or 3
> > > lines
> > > > > of
> > > > > video in Compressor in order to delete the captioning. Of
> course
> > > you
> > > > > are
> > > > > then left with a non-standard size frame. I wouldn't resize to
> > > full
> > > > > height
> > > > > because you will create all sort of unnecessary artifacts. Of
> > > > > course, if you
> > > > > are starting with 486 lines, you could crop 4 lines off of
> the top
> > > > > and 2
> > > > > lines off of the bottom, creating a standard 720 x 480 frame.
> > > And by
> > > > > eliminating even numbers of lines at the top and the bottom,
> you
> > > > > won't be
> > > > > changing the field order.
> > > > >
> > > > > Kerry
> > > > > -------------------
> > > > > Kerry Soloway
> > > > > http://www.NightingaleEditorial.com
> > > > > 201-247-4110
> > > > > ksoloway@
> > > > >
> > > > > Watch "Consuelo Mack/WealthTrack" weekly on PBS. Check your
> local
> > > > > listings.
> > > > >
> > > > >
> > > > > On Tue, Nov 24, 2009 at 5:50 PM, Andy Edwards <aedigitaltv@>
> > > > > wrote:
> > > > >
> > > > >>
> > > > >>
> > > > >> Does any one know if Compressor will strip Closed Captions?
> Or
> > > is the
> > > > >> only way doing re-compress all frames out of FCP.
> > > > >>
> > > > >> Andy Edwards
> > > > >>
> > > > >>
> > > > >
> > > > >
> > > > > [Non-text portions of this message have been removed]
> > > > >
> > > > >
> > > > >
> > > > > ------------------------------------
> > > > >
> > > > > To learn more about the FinalCutPro-L group, please visit
> > > > > http://groups.yahoo.com/group/FinalCutPro-LYahoo! Groups Links
> > > > >
> > > > >
> > > > >
> > > >
> > >
> > >
> >
> >
> > [Non-text portions of this message have been removed]
> >
>
>
>

[Non-text portions of this message have been removed]

------------------------------------

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Re: [FCP-L] OT Compressor Strip CC

By recompress is that a compressor function or internal in FCP. I'm mostly on Avid so sometimes my terminology for FCP is off. How do you set it to strip HD Captioning since it's in the anc. metadata on line 9 in the vertical interval? I'm guessing this might be part of the new Captioning functionality in FCP7/Kona 3 I've heard about.

--- In FinalCutPro-L@yahoogroups.com, Andy Edwards <aedigitaltv@...> wrote:
>
> John,
>
> On the HD side of things: Yes, the longer renders come from having to
> recompress all frames to remove the previous captions vs. just
> exporting a dvcprohd sequence with current settings. It ads an
> additional 30+ mintues to the render.
>
> Sent from my fruit phone.
>
> On Nov 24, 2009, at 9:38 PM, johnrobmoore <bigfish@...> wrote:
>
> > Just curious how the presence of captioning SD style makes for
> > longer renders? Is it that the necessary effect to remove the
> > captioning is what creates the longer renders. Since SD captioning
> > is just a line of blips of white on line 21 I don't see why that
> > requires extra rendering time unless it's the removal process.
> >
> > --- In FinalCutPro-L@yahoogroups.com, Andy Edwards <aedigitaltv@>
> > wrote:
> > >
> > > Thanks for the details Kerry. It is all HD. A show I am now working
> > > on uses flattened air masters files for look back elements of
> > previous
> > > shows. They come with the captioning that makes for longer renders
> > > when outputting the new master. I have to recompress all frames to
> > > remove the captioning in each episode.
> > >
> > > Maybe I'll just grab the terrabyte of files and batch export them
> > all
> > > over the turkey day holiday from fcp.
> > >
> > > Thanks,
> > > Andy Edwards
> > >
> > > Sent from my fruit phone.
> > >
> > > On Nov 24, 2009, at 7:59 PM, Kerry Soloway <ksoloway@> wrote:
> > >
> > > > When you say "strip", do you mean "remove"?
> > > >
> > > > Is this an SD or HD program?
> > > >
> > > > When I have had to re-edit closed captioned SD programs but
> > maintain
> > > > the
> > > > closed captioning, I found that if I overlay the original video
> > with a
> > > > bottom crop of 99.5 (which I believe is in %), it will allow me to
> > > > preserve
> > > > the captioning. The inverse of that would be a top crop of .5 (1/2
> > > > of 1%),
> > > > if I wanted to remove it.
> > > >
> > > > Consequently, I'm thinking that, you could crop the top 2 or 3
> > lines
> > > > of
> > > > video in Compressor in order to delete the captioning. Of course
> > you
> > > > are
> > > > then left with a non-standard size frame. I wouldn't resize to
> > full
> > > > height
> > > > because you will create all sort of unnecessary artifacts. Of
> > > > course, if you
> > > > are starting with 486 lines, you could crop 4 lines off of the top
> > > > and 2
> > > > lines off of the bottom, creating a standard 720 x 480 frame.
> > And by
> > > > eliminating even numbers of lines at the top and the bottom, you
> > > > won't be
> > > > changing the field order.
> > > >
> > > > Kerry
> > > > -------------------
> > > > Kerry Soloway
> > > > http://www.NightingaleEditorial.com
> > > > 201-247-4110
> > > > ksoloway@
> > > >
> > > > Watch "Consuelo Mack/WealthTrack" weekly on PBS. Check your local
> > > > listings.
> > > >
> > > >
> > > > On Tue, Nov 24, 2009 at 5:50 PM, Andy Edwards <aedigitaltv@>
> > > > wrote:
> > > >
> > > >>
> > > >>
> > > >> Does any one know if Compressor will strip Closed Captions? Or
> > is the
> > > >> only way doing re-compress all frames out of FCP.
> > > >>
> > > >> Andy Edwards
> > > >>
> > > >>
> > > >
> > > >
> > > > [Non-text portions of this message have been removed]
> > > >
> > > >
> > > >
> > > > ------------------------------------
> > > >
> > > > To learn more about the FinalCutPro-L group, please visit
> > > > http://groups.yahoo.com/group/FinalCutPro-LYahoo! Groups Links
> > > >
> > > >
> > > >
> > >
> >
> >
>
>
> [Non-text portions of this message have been removed]
>


------------------------------------

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Re: [FCP-L] OT Compressor Strip CC

John,

On the HD side of things: Yes, the longer renders come from having to
recompress all frames to remove the previous captions vs. just
exporting a dvcprohd sequence with current settings. It ads an
additional 30+ mintues to the render.

Sent from my fruit phone.

On Nov 24, 2009, at 9:38 PM, johnrobmoore <bigfish@pacbell.net> wrote:

> Just curious how the presence of captioning SD style makes for
> longer renders? Is it that the necessary effect to remove the
> captioning is what creates the longer renders. Since SD captioning
> is just a line of blips of white on line 21 I don't see why that
> requires extra rendering time unless it's the removal process.
>
> --- In FinalCutPro-L@yahoogroups.com, Andy Edwards <aedigitaltv@...>
> wrote:
> >
> > Thanks for the details Kerry. It is all HD. A show I am now working
> > on uses flattened air masters files for look back elements of
> previous
> > shows. They come with the captioning that makes for longer renders
> > when outputting the new master. I have to recompress all frames to
> > remove the captioning in each episode.
> >
> > Maybe I'll just grab the terrabyte of files and batch export them
> all
> > over the turkey day holiday from fcp.
> >
> > Thanks,
> > Andy Edwards
> >
> > Sent from my fruit phone.
> >
> > On Nov 24, 2009, at 7:59 PM, Kerry Soloway <ksoloway@...> wrote:
> >
> > > When you say "strip", do you mean "remove"?
> > >
> > > Is this an SD or HD program?
> > >
> > > When I have had to re-edit closed captioned SD programs but
> maintain
> > > the
> > > closed captioning, I found that if I overlay the original video
> with a
> > > bottom crop of 99.5 (which I believe is in %), it will allow me to
> > > preserve
> > > the captioning. The inverse of that would be a top crop of .5 (1/2
> > > of 1%),
> > > if I wanted to remove it.
> > >
> > > Consequently, I'm thinking that, you could crop the top 2 or 3
> lines
> > > of
> > > video in Compressor in order to delete the captioning. Of course
> you
> > > are
> > > then left with a non-standard size frame. I wouldn't resize to
> full
> > > height
> > > because you will create all sort of unnecessary artifacts. Of
> > > course, if you
> > > are starting with 486 lines, you could crop 4 lines off of the top
> > > and 2
> > > lines off of the bottom, creating a standard 720 x 480 frame.
> And by
> > > eliminating even numbers of lines at the top and the bottom, you
> > > won't be
> > > changing the field order.
> > >
> > > Kerry
> > > -------------------
> > > Kerry Soloway
> > > http://www.NightingaleEditorial.com
> > > 201-247-4110
> > > ksoloway@...
> > >
> > > Watch "Consuelo Mack/WealthTrack" weekly on PBS. Check your local
> > > listings.
> > >
> > >
> > > On Tue, Nov 24, 2009 at 5:50 PM, Andy Edwards <aedigitaltv@...>
> > > wrote:
> > >
> > >>
> > >>
> > >> Does any one know if Compressor will strip Closed Captions? Or
> is the
> > >> only way doing re-compress all frames out of FCP.
> > >>
> > >> Andy Edwards
> > >>
> > >>
> > >
> > >
> > > [Non-text portions of this message have been removed]
> > >
> > >
> > >
> > > ------------------------------------
> > >
> > > To learn more about the FinalCutPro-L group, please visit
> > > http://groups.yahoo.com/group/FinalCutPro-LYahoo! Groups Links
> > >
> > >
> > >
> >
>
>


[Non-text portions of this message have been removed]

------------------------------------

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Re: [FCP-L] OT Compressor Strip CC

Just curious how the presence of captioning SD style makes for longer renders? Is it that the necessary effect to remove the captioning is what creates the longer renders. Since SD captioning is just a line of blips of white on line 21 I don't see why that requires extra rendering time unless it's the removal process.


--- In FinalCutPro-L@yahoogroups.com, Andy Edwards <aedigitaltv@...> wrote:
>
> Thanks for the details Kerry. It is all HD. A show I am now working
> on uses flattened air masters files for look back elements of previous
> shows. They come with the captioning that makes for longer renders
> when outputting the new master. I have to recompress all frames to
> remove the captioning in each episode.
>
> Maybe I'll just grab the terrabyte of files and batch export them all
> over the turkey day holiday from fcp.
>
> Thanks,
> Andy Edwards
>
> Sent from my fruit phone.
>
> On Nov 24, 2009, at 7:59 PM, Kerry Soloway <ksoloway@...> wrote:
>
> > When you say "strip", do you mean "remove"?
> >
> > Is this an SD or HD program?
> >
> > When I have had to re-edit closed captioned SD programs but maintain
> > the
> > closed captioning, I found that if I overlay the original video with a
> > bottom crop of 99.5 (which I believe is in %), it will allow me to
> > preserve
> > the captioning. The inverse of that would be a top crop of .5 (1/2
> > of 1%),
> > if I wanted to remove it.
> >
> > Consequently, I'm thinking that, you could crop the top 2 or 3 lines
> > of
> > video in Compressor in order to delete the captioning. Of course you
> > are
> > then left with a non-standard size frame. I wouldn't resize to full
> > height
> > because you will create all sort of unnecessary artifacts. Of
> > course, if you
> > are starting with 486 lines, you could crop 4 lines off of the top
> > and 2
> > lines off of the bottom, creating a standard 720 x 480 frame. And by
> > eliminating even numbers of lines at the top and the bottom, you
> > won't be
> > changing the field order.
> >
> > Kerry
> > -------------------
> > Kerry Soloway
> > http://www.NightingaleEditorial.com
> > 201-247-4110
> > ksoloway@...
> >
> > Watch "Consuelo Mack/WealthTrack" weekly on PBS. Check your local
> > listings.
> >
> >
> > On Tue, Nov 24, 2009 at 5:50 PM, Andy Edwards <aedigitaltv@...>
> > wrote:
> >
> >>
> >>
> >> Does any one know if Compressor will strip Closed Captions? Or is the
> >> only way doing re-compress all frames out of FCP.
> >>
> >> Andy Edwards
> >>
> >>
> >
> >
> > [Non-text portions of this message have been removed]
> >
> >
> >
> > ------------------------------------
> >
> > To learn more about the FinalCutPro-L group, please visit
> > http://groups.yahoo.com/group/FinalCutPro-LYahoo! Groups Links
> >
> >
> >
>


------------------------------------

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