WHITE(ish) of all things(?!!), since even the slightest reflection or
even hint of greyish-white in the foreground makes a "key" a complete
impossibility. Unless your foreground element is practically black
you're stuck with having to roto.
- RK
On 24.10.2009, at 21:10, Brett Nicoletti wrote:
> Hey folks.
>
> I'm trying to key some footage that was shot over whit (actually kind
> of gray). I feel like there's a way to do this nicely using the
> Composite Mode pull down menu, but have yet to find the successful
> combination of Composite modes for my 2 layers. Does anyone have any
> suggestions on how to do this cleanly/efficiently?
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