not to mention Avid. Before the advent of non-linear, Ultimatte was
the real mainstay of green/bluescreen keying and is still a gold
standard. Experienced compositors will tell you that they actually
choose specific keyers for specific sets of problems/circumstances, so
it's hard to call any ONE keyer "the best."
On Dec 11, 2009, at 8:23 AM, Mark wrote:
> We use Ultimatte "Advantedge". It is dongle protected and expensive,
> but in my opinion, well worth it. It also works BOTH in After
> Effects and FCP. Frankly, we do most of our greenscreens in AE then
> bring it back to FCP.
>
> Mark
>
> --- In FinalCutPro-L@yahoogroups.com, "Rupert Watson" <rupert@...>
> wrote:
> >
> > Among the best are Ultimatte (toolfarm), Photron Primatte (Red
> Giant) or
> > The Foundry's Keylight.
> >
> >
> >
> > Rupert Watson
> >
> > +44 7787 554 801
> >
> > www.root6.com
> >
> >
> >
> > From: FinalCutPro-L@yahoogroups.com
> > [mailto:FinalCutPro-L@yahoogroups.com] On Behalf Of Sune
> Alexandersen
> > Sent: 11 December 2009 11:35
> > To: FinalCutPro-L@yahoogroups.com
> > Subject: [FCP-L] How do I get better keying results in FCP?
> >
> >
> >
> >
> >
> > Hi all!
> > I do quite a lot of green screen work, but it feels like the built-
> in
> > FCP
> > keyer is quite lacking. What do you people use?
> > Is the included keyer adequate? Third-party plugin maybe?
> > -
> > Dunderfilm // Sune Alexandersen
> > www.dunderfilm.no
> > www.suneworld.com
> >
> >
> >
> >
> >
> >
> >
> > ROOT 6 LIMITED
> > Registered in the UK at
> > 4 WARDOUR MEWS, LONDON
> > W1F 8AJ
> > Company No. 03433253
> >
> >
> >
> > [Non-text portions of this message have been removed]
> >
>
>
>
[Non-text portions of this message have been removed]
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