Thursday, December 10, 2009

[FCP-L] Re: Sony EX1R Post Workflow

9-12 days left to figure out the best post workflow:

Three EX3's via SDI to a Kayak 250 to Kona to ProRes HQ.
We also wanted iso recordings off one or two of the EX3's.

Run time is one hour with 8 performances (two recordings.)

We were hoping to just pop in cards and transcode all later,
But sounds like we need a KiPro or two to do the job right.

Thanks for the insights and this timely thread for me,

Ross

P.S. Delivery will be DVD - not Blu-ray.

P.P.S. More Info: http://tinyurl.com/9alhru

"EX-3 and Final Cut Pro, What's Your Workflow?"


>At 1:15 PM -0800 12/10/09, oliverpetersvidy wrote:
>
>The trouble with these long-GOP formats in FCP is that they don't
>mix well with other codecs. If you have a native timeline of EX or
>HDV and that's your only media and all the media and timeline
>settings match, then it's pretty easy. It's when you mix up codecs
>that you have issues. For instance, 25Mbps HDV + HDCAM captures is
>an uncompressed timeline.
>
>- Oliver


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