Re: [FCP-L] Re: Sony EX1R Post Workflow

So a question (as I'm more used to transcoding in Avid): Are folks
generally transcoding master clips or subclips (to ProRes or whatever)
prior to editing or dropping native clips into a ProRes sequence and
letting FCP render away in the background?

On 10 Dec 2009, at 17:39, r_salsbury wrote:

We looked at transcoding to DVCPro as I like working with that quite a
bit...there was a slight color shift, mostly in the highlights,
whereas transcoding to ProResLT was indistinguishable to the eye on
good monitors. I think our post facility saw a difference on the
scopes, but it was close enough to not be a real issue.

RS

--- In FinalCutPro-L@yahoogroups.com, "Dom Q. Silverio"
<domqsilverio@...> wrote:
>
> That too is my experience with EX footage with long form editing in
> FCP 6 or 7. Tremendous amount of crashes and longer processing time
> (renders, exports, etc) compared to DVC Pro HD. It requires too much
> memory to process.
>

+++
With best wishes,

Roger Shufflebottom

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