Re: [FCP-L] Re: Sony EX1R Post Workflow

FCP doesn't render in the background.

When I had a mixed format, I used a PRO RES timeline. The other show
was native XDCAM, with the RENDER CONTROL set to ProREs...so if we
rendered, then the renders were ProRes. But then it got converted to
ProRes in the end, we sent it to COLOR and rendered it out ProREs.

<-shane

On Dec 10, 2009, at 2:34 PM, Roger Shufflebottom wrote:

> So a question (as I'm more used to transcoding in Avid): Are folks
> generally transcoding master clips or subclips (to ProRes or whatever)
> prior to editing or dropping native clips into a ProRes sequence and
> letting FCP render away in the background?
>
> On 10 Dec 2009, at 17:39, r_salsbury wrote:
>
> We looked at transcoding to DVCPro as I like working with that quite a
> bit...there was a slight color shift, mostly in the highlights,
> whereas transcoding to ProResLT was indistinguishable to the eye on
> good monitors. I think our post facility saw a difference on the
> scopes, but it was close enough to not be a real issue.
>
> RS
>
> --- In FinalCutPro-L@yahoogroups.com, "Dom Q. Silverio"
> <domqsilverio@...> wrote:
> >
> > That too is my experience with EX footage with long form editing in
> > FCP 6 or 7. Tremendous amount of crashes and longer processing time
> > (renders, exports, etc) compared to DVC Pro HD. It requires too much
> > memory to process.
> >
>
> +++
> With best wishes,
>
> Roger Shufflebottom
>
>
>

[Non-text portions of this message have been removed]

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