Re: [FCP-L] Re: Sony EX1R Post Workflow

A...yes, it shoots 24p. But people also like to shoot for slow motion.

Yeah, AVCI is difficult, but I don't deal with it natively. Either
transcode to ProRes, or to ProRes PROXY to offline, then batch to
ProRes when locked.

The KiPro is cool, but locks you to FCP. Someone contacted me
recently saying that they shot with that exact combination...EX1,
KiPro...with the intention to use the footage in an Avid.

Oops. They got an "F" on their homework assignment for that one.

-shane

On Dec 9, 2009, at 1:34 PM, oliverpetersvidy wrote:

> Shane,
>
> > Shane Ross wrote:
> > By ease of post, I mean working with an I-FRAME format instead of
> > GOP...because you can do things like ...
>
> While I agree in principle, I find that in actual practice I'm OK
> with EX and XDCAM-HD. No need to deal with reverse telecine, because
> the camera is 24p native. Really haven't had much of an issue. When
> you look at something like AVC-Intra, which is very computationally
> intensive, it's a real trade-off. The far more interesting and
> inviting option is to take SDI out of an EX and record to an
> external KiPro as ProRes.
>
> - Oliver
>
>
>

[Non-text portions of this message have been removed]

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