Still, my concern has been the ease-of-post workflow. I keep thinking that with the long GOP structure that the whole wrapping or rewrapping or transcoding part might be onerous for a one-man band that my friend is contemplating.
When ingesting this stuff, is it a realtime process?
Thanks,
David
David Dodson
davidadodson@sbcglobal.net
818-541-1225
818-523-0905 mobile
________________________________
From: Jim Feeley <jfeeley@gmail.com>
To: FinalCutPro-L@yahoogroups.com
Sent: Wed, December 9, 2009 12:29:55 PM
Subject: Re: [FCP-L] Re: Sony EX1R Post Workflow
The HPX300 is pretty impressive for the price. But camera, lens, batteries,
and card is about $9,000 after rebate. At least, that's a B&H package price.
The Sony EX1R isn't available yet, but looks like it will be about $6,000 on
the street with battery and a generic memory card. At this end of the
market, that's a significant price difference.
Comparing the HPX300 to the Sony EX3 (which costs about the same, all things
considered) is a bit more involved and interesting. The EX3 produces nice
images. I've only seen a little bit of real-world HPX300 footage, so I can't
make a serious comparison.
Jim
On 12/9/09 12:13 PM, "Shane Ross" <comeback@mac. com> wrote:
> HPX-300... for one.
>
>
> On Dec 9, 2009, at 10:52 AM, David Dodson wrote:
>
>> Such as?
>>
>> D
>> David Dodson
>> davidadodson@ sbcglobal. net
>> 818-541-1225
>> 818-523-0905 mobile
>>
>> ____________ _________ _________ __
>> From: "john@digitalcut. com" <john@digitalcut. com>
>> To: "FinalCutPro- L@yahoogroups. com" <FinalCutPro- L@yahoogroups. com>
>> Sent: Wed, December 9, 2009 10:41:59 AM
>> Subject: Re: [FCP-L] Re: Sony EX1R Post Workflow
>>
>> And not to mention that XDCAM imsge quality is only slightly better
>> than HDV - but still pretty bad. There are better options out there in
>> this same price range
>>
>> On Dec 9, 2009, at 1:11 PM, Phil Mastman <phil@sandlotpictur e s.com>
>> wrote:
>>
>>> EX1 has a CineAlta logo on it.
>>>
>>> --Phil Mastman
>>> Sandlot Pictures, Inc.
>>>
>>>> The camera is the EX1 with revisions to answer some of the
>>> problems with
>>>> original. Still a lousy camera to handhold though. Not sure how
>>> you got
>>>> CineAlta
>>>> in there though. That is the upper line of SR cameras. Not even
>>> the same
>>>> division of Sony.
>>>
>>>
>>
>> [Non-text portions of this message have been removed]
>>
>> [Non-text portions of this message have been removed]
>>
>>
>>
>
>
>
> [Non-text portions of this message have been removed]
>
>
>
> ------------ --------- --------- ------
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> To learn more about the FinalCutPro- L group, please visit
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>
--
Jim Feeley
POV Media
[Non-text portions of this message have been removed]
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