Re: [FCP-L] Another RED workflow Q

On Oct 29, 2009, at 6:49 AM, ksirul wrote:

> Client shot completely on Red 4K. Offline editing is on FCP 23.98
> with M Proxies. This is a 90 minute film. Final delivery is HDCam
> 4:2:2 1080p 23.98 (probably SR but not sure yet). How smooth is this
> workflow going back to the R3D files? Is that the best way to do
> this? Is Color now grading from the RAW data?

Ken,

Client going to finish in Color or SCRATCH?

Torrey
-----------------------------------------------
Torrey Loomis
President & CEO - Silverado Systems, Inc.
(916) 760-0032 • FAX (916) 404-5258
torrey@silverado.cc
http://www.Silverado.cc

Silverado Twitter at http://www.twitter.com/silveradosys
StudioBuilder blog at http://silveradosys.blogspot.com

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