FCP-L: Re: [FCP-L] Another RED workflow Q

Thursday, October 29, 2009

Re: [FCP-L] Another RED workflow Q

My finishing options are either FCP/Color or Avid DS Nitris v10.1.2. My DS is not Dual Link but, I don't really need to output 4:4:4 unless that is the prefered way to go. I can strike any delivery masters from an SR.

KEN

--- In FinalCutPro-L@yahoogroups.com, Torrey Loomis <torrey@...> wrote:
>
>
> On Oct 29, 2009, at 6:49 AM, ksirul wrote:
>
> > Client shot completely on Red 4K. Offline editing is on FCP 23.98
> > with M Proxies. This is a 90 minute film. Final delivery is HDCam
> > 4:2:2 1080p 23.98 (probably SR but not sure yet). How smooth is this
> > workflow going back to the R3D files? Is that the best way to do
> > this? Is Color now grading from the RAW data?
>
>
> Ken,
>
> Client going to finish in Color or SCRATCH?
>
> Torrey
> -----------------------------------------------
> Torrey Loomis
> President & CEO - Silverado Systems, Inc.
> (916) 760-0032 • FAX (916) 404-5258
> torrey@...
> http://www.Silverado.cc
>
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>